The Editor

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Still The Mayor
“Still The Mayor” Review: Mayorkun’s Third Album Is a Reaffirmation of His Pop Status

Still The Mayor is, at its core, Mayorkun reminding us why he earned the title…

Taene
Nigerian Afro-Fusion Artiste, Taene, Set to Release New Single, “NUH”

Rooted in themes of self-awareness, boldness, and feminine power, “NUH” blends Afrobeats, R&B, Soul, and…

Blinky Bill
Blinky Bill: East Africa’s Quiet Radical

“I wouldn’t necessarily say I’m an Alternative musician, rather a musician with an Alternative eye.…

Geoblocking
How Geoblocking and Cinema Scheduling Bias Undermine Distribution in Nollywood

It becomes clear that while geoblocking is a significant barrier to Nollywood’s global reach, cinema…

Little Rot
“Little Rot” Review: Akwaeke Emezi’s Novel Confronts The Performance of Morality

Little Rot is an investigation into how society imposes rigid ideas of right and wrong,…

My Mother Is a Witch
“My Mother Is a Witch” Review: Niyi Akinmolayan Explores Intergenerational Trauma in Provocative Drama

My Mother Is a Witch is one of Niyi Akinmolayan’s most decent endeavours, with strong…

Area Scatter
The Legend of Area Scatter: Enigmatic Musician or Misunderstood Individual?

Area Scatter’s life is proof that history has been replete with personalities operating on the…

Freedom Way
Afolabi Olalekan’s AMVCA-Winning Thriller, “Freedom Way” Set for July Theatrical Release

BluHouse Studios has announced the theatrical release of its acclaimed thriller drama, Freedom Way,  set…

Fela Anikulapo Kuti
Fela Kuti’s “Zombie” Inducted into 2025 Grammy Hall of Fame

The Academy noted that Zombie meets the Hall of Fame’s requirement for recordings that are…

Workaholic
“Workaholic” Review: Xbusta Flaunts His Artistic Strengths on New EP

Workaholic is a fantastic EP that slots seamlessly into Xbusta’s growing catalogue, standing as a…