The Editor

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Suky
“Suky” Review: Ola Cardoso’s Prison-Set, Revenge-Themed Sports Drama Is Tepid

As a prison film, Suky is unmoving; as a sports film, it is uninspiring; and…

counterfeit drugs
Counterfeit Drugs in Africa: Can Technology Restore Confidence in Healthcare?

It is worth noting that Africa’s heavy reliance on imported medication makes it easier for…

Libya
Is It Time to Ban Libya From Hosting African Football Games?

There is credible reason to believe that Libya’s repeated logistical failures could be a form…

Omoni Oboli
Omoni Oboli and Nollywood’s Dilemma With Copyright Infringement

What does Oboli’s repeated copyright controversies reveal about the state of copyright protection and infringement…

Onipanu
Looking For Cloudberries In Onipanu, Or When You Fall Out Of Love

What if I told you that on the night the police threw me into that…

data management
Women-Led Film Studios Host Groundbreaking Workshop on Data Management in Nigerian Cinema

The Data Management workshop aimed to bridge the gap between production and post-production, equipping filmmakers—particularly…

three poems
Three Poems | By Saadatu Uzairu

EID ON AN EMPTY STREET Shall I tell you how I burn out? Stand out,…

Did I Lie
“Did I Lie” Review: Cina Soul Reminds Us of Her Pedigree on New Album

Did I Lie is a grounded and solid album from a talented and seasoned veteran.…

Gangs of Lagos
Understanding Jade Osiberu’s “Gangs of Lagos” Court Ruling

From the terms contained in the settlement agreement, the producers of the film are required…

AMVCA
The Annual AMVCA’s Category Problem: Should TV Productions Be Competing with Films?

If the AMVCA insists on recognising achievement in television, then it’s time to recognise that…