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Two poems
Two Poems | By Tharseo Jovita

Sand Sand no let them pour sand sand for your body I’m in the middle…

Blackout
“Blackout” Review: Okechukwu Oku’s Psychological Thriller Is Confident in Its Vision

Blackout might not be entirely plausible, but it still very much feels like a film…

Simigwa
Strut Records Announces Reissue of Gyedu-Blay Ambolley’s “Simigwa” Album

The Strut reissue will ensure a new generation can experience the groundbreaking sound of Simigwa,…

Afrocritik monthly spotlight valentine
Afrocritik’s Weekly Music Spotlight: Something Different

Afrocritik’s Weekly Music Spotlight: Something Different By Yinoluwa Olowofoyeku Good day, my brave and bold…

Eight-Second Rule
How IFAB’s New Eight-Second Rule Could Reshape African Football Tactics

Goalkeepers must now work on rapid decision-making, while defenders and midfielders may be required to…

Augmented reality
Can Augmented Reality Be A Game Changer for Africa’s E-Commerce Industry?

Augmented reality technology is expensive, and integrating it into an online store requires a substantial…

I Dream In Color
“I Dream In Color” Review: Magixx’s Debut Album Offers an Unfiltered Look Into His Mind

Throughout I Dream In Color, Magixx wears his emotions on his sleeve, and delivers a…

Best of Both Worlds
“Best of Both Worlds” Review: Kel-P and Wande Coal’s EP Struggles to Meet Expectations

Best of Both Worlds does aim to show us the best of both worlds. However,…

Ada Ọmọ Daddy
“Ada Ọmọ Daddy” Review: A Dramatic Critique of Deadbeat Culture or A Deadbeat’s Fantasy?

The best that Ada Ọmọ Daddy evokes is anger—anger at the film’s politics, its easy…

Chimamanda Ngozi Adichie
Chimamanda Ngozi Adichie’s “Dream Count” Longlisted for 2025 Women’s Prize for Fiction

This is the fourth time the Women’s Prize for Fiction has recognised Adichie. By Abioye…