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Èkó Groove
“Èkó Groove” Review: Spinall Assembles Star-Studded Cast on New Album

Èkó Groove is a fun listen. Its energy, its fluid mix of genres, and its…

Nomad Shadow
TIFF 2025: Eimi Imanishi’s “Nomad Shadow” Deftly Navigates the Intricacies of Exile

Nomad Shadow excavates the personal costs of political displacement with an intimacy that cuts through…

Diya
TIFF 2025: Achille Ronaimou’s “Diya” Confronts The Brutal Arithmetic Of Justice And Retribution

Diya is a morally complex drama that interrogates the collision between ancient customs and modern…

Sanya
“Sanya” Review: Oyin Olugbile’s Debut Novel Is a Creative Retelling of Sango as a Woman Warrior

It is perhaps this deep grounding in Yoruba history and mythology that earned Sanya a…

Wonderful
“Wonderful” Review: Tay Iwar Continues To Wow With New EP

Brief in runtime but expansive in vision, Wonderful once again showcases Tay Iwar’s ability to…

Say Who Die
“Say Who Die?” Review: Paul Utomiʼs Film Crumbles Under the Weight of its Own Ambition

Style without story is a hollow exercise, and Say Who Die? ultimately exposes Nollywood’s recurring…

Catharsis
“Catharsis” Review: Fola’s Debut Album Offers an Intimate Outpouring of Desire and Affection

With Catharsis, FOLA proves himself a songwriter and vocalist whose ascent is finely honed for…

Petrichor
“Petrichor” Review: Ayo Oyeku’s Novel Is an Attempt to Probe the Meaning of Justice

Petrichor remains a decently conceived novel about a most pivotal action in the making of…

Tyla
Tyla Wins Best Afrobeats at the 2025 MTV VMAs

Tyla becomes the most awarded African artiste in VMA history, boasting two wins. By Abioye…

Kings Will Rise
“Kings Will Rise” Review: The Scorpion Kings Continue Stellar Run With New Album

Kings Will Rise does not seek to reinvent their empire, but to reaffirm it, proving…