The Editor

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DVNTE
“DVNTE” Review: Rhatti’s Ingenious Fusion Project Is a Nostalgic Journey Through the 90s

With DVNTE, Rhatti establishes himself as an artiste with a profound ear for sound fusion,…

Mood 4 Life
“Mood 4 Life” Review: Victoria Kimani’s Album Is Just as Beautiful as It Is Layered

Mood 4 Life exemplifies intricate music-making that prioritises hybridisation over a traditional approach to music.…

Homeless
“Homeless” Review: Llona’s Debut Album Is Raw and Reflective

Homeless is a powerful and poignant exploration of Llona’s resilience and vulnerability. By Hope Ibiale…

Onyeka Onwenu's last performance at an event in Lagos
Onyeka Onwenu: An Ode to the Elegant Stallion

Onyeka Onwenu’s music will endure; we know this, and this is why we make this…

What About Us?
“What About Us?” Review: Kayode Kasum’s Family Drama Drastically Fumbles its Third Act

Though it stumbles significantly in its third act, What About Us? highlights the importance of…

Still from My Father's Fable
“My Father’s Fable” Review: Faith Omole’s Theatre Show Is an Emotional Exploration Into Family Trauma and Nigerian Identity

My Father’s Fable, a theatre production by Faith Omole, is a unique take on the complexities…

AI Voice Cloning Scams
AI Voice Cloning Scams: How to Protect Yourself

AI voice cloning scams are a new venture that are quite difficult to spot because…

DFMI Business Lab
Durban FilmMart Institute Opens Applications for the Fourth Edition of DFMI Business Lab

DFMI Business Lab is a 14-week online business skills development programme aimed at nurturing and…

Three Reviews | Evidence Egwuono Adjarho| Afrocritik Prize for Criticism
Evidence Egwuono Adjarho Wins 2024 Afrocritik Prize for Criticism

Olúwatúnmiṣe Ọ̀tọ̀lórìn Akìgbógun and Daniella Oluwatomisin Kolade emerged as first runner-up and second runner-up respectively.…

Three Reviews| Faith Emitse| Afrocritik Prize for Criticism
Three Reviews | Faith Emitse

Faith Emitse is a finalist for the 2024 Afrocritik Prize for Criticism The Journey of…