The Editor

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“Love Grows Stronger in Death” Anthology Explores the Depth of Human Emotions Amidst Mortality

Though this is a small sample of the deluge of writing coming out of Africa,…

David Olatoye - In Conversation with Afrocritik
David Olatoye: A Visual Artist Forging His Identity Through Pen and Canvas

“I believe every artist should have an identity, what would be seen in their work…

What Private Investment Could Mean for the Nigerian Premier Football League

Private investment offers a potential turnaround of the Nigeria Premier Football League (NPFL) system, promising…

“Over The Bridge”, “This is Lagos”, “Wèrè”, Other African Films to Screen at the 31st New York African Film Festival

The New York African Film Festival will be held from May 8-14, 2024. By Hope…

Nigerian Idols Returns to Screens for Its 9th Season

Nigerian Idol Season 9 will begin streaming on Africa Magic Showcase and Africa Magic Family…

Mara: What to Know About the Viral Hyper-Fast and Energetic Sound

No doubt the soundscape of Nigerian music is constantly evolving, among which the Mara  sub-genre…

“Love Language” Review: Fancy Fingers’ Album is an Ode to Africa’s Female Vocalists

Each song features a phenomenally voiced female artiste, one acclaimed by numerous musical intelligentsias, with…

“Musangwe” Review: Lufuno Nekhabambe’s Debut Film Futilely Fondles with South African Culture

If the movie is, among other things, an ode on South Africa’s Musangwe boxing competition,…

“Casa de Novia” Review: Uyoyou Adia’s Comedy Ghost Story is Nollywood Retro Dressed Up in Fancy Lights

Everything in Casa de Novia exists to distract. Just what it is distracting us from,…

“Heart of the Hunter” Review: Another Action Thriller That Flatters to Deceive

As far as action thrillers go, Heart of the Hunter is as convoluted as they…