Music

Spotlight
Afrocritik Weekly Music Spotlight: Detour Week II

Afrocritik Weekly Music Spotlight: Detour Week II By Yinoluwa Olowofoyeku We hope you’re doing well…

WWP
“WWP” Review: Tyla Returns to Form on New EP

WWP delivers exactly what fans have come to expect of Tyla. It doesn’t stretch or…

Alté
10 Rising African Alté Artistes to Watch in 2025

In 2025, the Alté movement continues to evolve, with an inventive new class of African…

Spiral
“Spiral” Review: Tim Lyre Charts Cycles of Love and Life on Sophomore Album

Spiral is one of the more thematically cohesive albums in recent memory. The songs exist…

Spotlight
Afrocritik Weekly Music Spotlight: Detour Week

Afrocritik Weekly Music Spotlight: Detour Week By Yinoluwa Olowofoyeku Greetings, my acoustic adventurers! We hope…

The Summer That Saved Me
“The Summer That Saved Me” Review: Odeal Bottles Newfound Freedom and Clarity on New EP

The Summer That Saved Me arrives as a project whose impact is far greater than…

Victims of Madness 2.0
“Victims of Madness 2.0” Review: Wakadinali Chooses Refinement Over Reinvention

While each Wakadinali artiste performs within their domain of expertise, the absence of aesthetic progression…

Goodgirl
“Goodgirl” Review: GoodGirl LA Reintroduces Her Vibrant Uniqueness on New EP

Goodgirl is a body of work that feels deeply enjoyable, highly replayable, and emotionally resonant.…

Fimí
In Conversation: Fimí Talks Rap, Creative Confidence, and Finding Her Voice Through Music

“It doesn’t matter if you’re coming with raw bars or leaning into melody, there’s an…

Spotlight
Afrocritik Weekly Music Spotlight: Second Bridge Week

Afrocritik Weekly Music Spotlight: Second Bridge Week By Yinoluwa Olowofoyeku Hello again, lovely people. We…