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Rema, Davido, Asake, and Olamide Headline Flytime’s December Lineup with Rhythm Unplugged and Flytime Fest
The Beautiful Lie of “Making It”: Kenyan Youth, Hustle Culture, and the New Local Dream
Afrocritik’s Top 100 African Songs of 2025
Features & Essays
What Is the State of Nigeria’s Natural Parks and Game Reserves?
Which African Author Will Win the 2024 Nobel Prize in Literature?
Fragmented Visages, Unbroken Light: The Art of Ruth Agbolade
Xenophobia Blues and the South African Complex: Is the Dangerous Politics of Nazism on the Rise Again?
Mapping Queer African Cinema: How Censorship Still Hinders Queer Representation in the African Mainstream Media
How Effective Are Online Petitions in Advocating for Policy Change?
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Interviews
In Conversation: Aisosa is Nigeria’s Newest Lover Boy and R&B Champion
In Conversation: Bowman Aremwaki, the Ugandan Artiste with a Universal Musical Language
In Conversation: How ‘Najite Dede Takes on the Screen and Theatre as a Multifaceted Filmmaker
“In Poetry I Found My Voice, and in Poetry I Keep It Loud”: Dorphanage, Kenyan Spoken Word Artist, In Conversation
In Conversation: Obi Maduegbuna on Voice Acting, “Iwájú”, and Future Plans in Filmmaking
David Olatoye: A Visual Artist Forging His Identity Through Pen and Canvas
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Film & TV
“Sin: First Blood” and “Sin: Blackout” Review: The Irredeemable Failure of Jim Iyke’s Big-Budget Crime Thriller Wannabe
Noise or Attention: What Really Sells Nollywood Films?
“Out in the Darkness” Review: Sarah Kwaji’s Film Feebly Explores Postpartum Health
“Devil is a Liar” Review: Moses Inwangʼs Film Lies About the Story It Is Telling
“Finding Nina” Review: Nemsia Studios Makes a Soulless Pitch for Positive Portrayals of Northern Nigeria
“Cordelia” Review: Tunde Kelani’s Return to Cinemas is an Ambitious but Inconsistent Adaptation
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Music
“GE3 (The Beginning)” Review: A-Q Closes His Trilogy With Precision and Purpose
Afrocritik Weekly Music Spotlight: Subtle Twists
Loud Urban Choir Is Redefining Choral Music in Afro-Pop
[Opinion] At the Risk of Talking Rubbish: Obongjayar Is Keeping up the “Talk Olympics”
Billboard-Honoured Lawyer, Akinyemi Ayinoluwa, Talks Music Law, African Excellence, and Creative Rights
Afrocritik Weekly Music Spotlight: Fresh Sounds
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VIDEOS
Welcome to our YouTube Channel
Books
“Face Me I Face You” Review: Oyindamola Shoola Uses Unconventional Poetry to Explore Nigerian Communal Life
“Tearless” Review: Ayo Deforge’s Novel Explores Self-Discovery, Trauma Resolution, and Love
Macondo Literary Festival 2024: A Celebration of the History of the Indian Ocean Worlds
“We Were Girls Once” Review: Aiwanose Odafen’s Novel Explores Human Flaws and the Enduring Strength of Friendship
The 2024 Caine Prize Shortlist Speaks on the Condition of the Times We Live In
“Water Baby” Review: Chioma Okereke’s Book Explores Resilience and the Power of Community
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Culture
Five Colourful Festivals Across West Africa
Hair Fetish Has Come a Longer Way Than We Know. It Is More Complex Than We Assumed
Here Are Six Things You Shouldn’t Discuss On A First Date
DishAfrik, A Culinary App That Seeks To Curate African Cuisine On A Global Scale, Set To Launch In Style
Has The Concept Of Tolerance In Marriage Become Old-Fashioned?
Tribal Marks: Cultural Heritage, Or Plain Barbarism?
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
Ons Jabeur’s French Open Exit: So Close Yet So Far From the Grand Slam Title
Why North Africa Continues to Dominate in Continental Club Football
Highlights From the 2024 Marrakech Diamond League
Will Finidi George Usher in a New Era for Nigeria’s Super Eagles?
How Lucrative is the Competitive E-sports Industry Today?
BAL 2024: A Definitive Guide to the Basketball Africa League Season
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Explainers
Fiction & Poetry
Hands | Feyisayo Anjorin
Fresh Dope (When Hope is a Voice Trapped in Dead Air) | Dhee Sylvester
Two Poems | Olaseni Kehinde Precious
The Woman Who Broke the Wall | Ikechukwu Henry
Little Gifts Given to the Wild | Joemario Umana
It’s enough for us to sit in silence and wonder | Abigail George
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