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Afrocritik’s Top 100 African Songs of 2025
TSWA Film Festival 2025: Freedom of Movement and the Cost of Survival in “Casablanca – Dakar” and “Seed Is Life”
ADIFF 2025: In Conversation With Nana Adwoa Frimpong, Producer of “The Eyes of Ghana”
Features & Essays
Will Rwanda Become the New Hub for Arts and Entertainment in East Africa?
Social Entrepreneurship in Africa: A Case of the Nigerian and Kenyan Social Enterprise Ecosystem
Mohbad: Post-Death Fame, and the Postmodern Reality of the Tortured Artist
Eco-Warriors: Gen Zs in Africa Leading the Sustainability Movement
Black History Month: 3 Inspirational Women Who Paved Way for Black Inclusivity
Democracy in the Digital Age: How Do Internet Shutdowns Impact Fairness During African Elections?
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Interviews
“All Art Helps Us to See the Humanity of Another”: Kenya Writer, Dennis Mugaa, Speaks About His Forthcoming Debut, “Half Portraits Under Water”
The Soundtrack to Success: Music Supervisor, Unique Oliver, is Creating a Blueprint for Music Licensing in Nollywood Productions
“Winning the James Currey Prize Might Represent My Coming of Age as a Writer”: In Conversation with 2023 Prizewinner, Peter Ngila Njeri
Afropantheology and the Future of African Speculative Fiction: A Conversation with Oghenechovwe Donald Ekpeki
Portraying Familial Bonds in “A Tribe Called Judah”: In Conversation with Box Office Hit Screenwriters, Akinlabi Ishola and Collins Okoh
Filmmaker, Perivi Katjavivi, Signals a New Era with Namibia’s Oscars Debut, “Under the Hanging Tree”
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Film & TV
“Matabeleland” Review: Nyasha Kadandara’s Documentary Contends With Zimbabwe’s Troubled Past
“Making a Film Anywhere in Africa Is a Struggle”: In Conversation With Tunisian Filmmaker, Amel Guellaty, Director of “Where the Wind Comes From”
“Ms. Kanyin” Review: Jerry Ossaiʼs Wannabe Horror Flick is Forgettable
Dear Nollywood, Stop Using Sexual Violence as a Plot Device
“The Moral High Court” Review: Chisom Ifeakandu’s Film Puts Patriarchy on Trial
20 Prolific Cinematographer-Director Collaborations in Nollywood
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Music
“Uncle K: Lemon Chase” Review: Kizz Daniel’s EP Is Refreshingly Potent
Afrocritik’s Weekly Music Spotlight: Soul Celebration
The Cultural and Structural Realities Behind Llona and Odumodublvck’s Grassroots Tours
10 Times Nigerian Songs Made a Surprise Comeback Online
“Love Is War” Review: Starsamm Shows Promise on Debut EP
Afrocritik’s Weekly Music Spotlight: Soulful Tunes
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VIDEOS
Welcome to our YouTube Channel
Books
“On the Train to Hell” Review: Throes and Consciousness Helm Tolu A Akinyemi’s Poetry Collection
“Love Grows Stronger in Death” Anthology Explores the Depth of Human Emotions Amidst Mortality
Ayòbámi Adébáyò and Caleb Azumah Nelson Shortlisted for the 2024 Dylan Thomas Prize
The Portrayal of Place, Dream, and History in Tares Oburumu’s “Origin of Syma Species”
Africanfuturism: A Literary Plane of Infinite Possibilities for Africa’s Future
“All Art Helps Us to See the Humanity of Another”: Kenya Writer, Dennis Mugaa, Speaks About His Forthcoming Debut, “Half Portraits Under Water”
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Culture
Street Church: Making The Gospel Fun, Trendy And Relatable To A Younger Demographic
Timi Dakolo, “Everything”, And How Nigerian Gospel Songs Have Become Anthems Of Hope
Here Are Six Ways To Properly Spend a Weekend In Africa’s Busiest Cities
Here Are The Five Most Serene Nigerian Cities To Live In
How The Baba Ijesha Case Accurately Illustrates The Attitude Of Nigerians To Rape Allegations
Has Oral Tradition In Africa Gone Extinct?
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
Racheal Kundananji: Becoming the World’s Most Expensive Female Footballer
Kelvin Kiptum: A Tribute to an Athletic Phenomenon
Côte d’Ivoire Seizes African Cup of Nations Victory Over Nigeria
AFCON 2023: The Differential Teams That Made History
AFCON 2023 Semi-Finals: Nigeria vs South Africa, History, Trade, and Rivalry Beyond the Pitch
Tobi Amusan Breaks African Women’s Indoor Record in 60-Metres Hurdles at New Balance Indoor Grand Prix
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Explainers
Fiction & Poetry
The Eccentrics | Adedoyin Ajayi
Homecoming | Sunday Saheed
of memories, moments & manhood | Jaachị Anyatọnwụ
After The Giant Greenlights, Nothing Here Is Worthy Of Symphony? | Psalmuel Benjamin
Tochi Lives | Ubong Johnson
The Last Rule of Theft | Oluseye Fakinlede
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