Dust to Dreams
Milisuthando
Anna-Karin Karlsson

Features & Essays

Nollywood’s Global Impact How Nigerian Films Are Captivating Audiences Worldwide - Afrocritik
Nollywood’s Global Impact: How Nigerian Films are Captivating Audiences Worldwide
OkadaBooks closes down - Afrcoritik
The “Crash” of OkadaBooks is a Call for Nigeria to Reflect on the State of Its Art Communities
Afrobeats
Six Sub-Genres Expanding the Diversity of Afrobeats
EV being charged _ Afrocritik
Electric Vehicles (EVs): A Green Solution for Africa or More Environmental and Economic Quandaries?
Umuofia Arts and Books Festival - Afrocritik
Searching for New Philosophers at the Umuofia Arts and Books Festival 2023 (UmuofiaFest)
5g Connectivity - Africa's Journey to 5G and the Wealth of Opportunities It Brings- Afrocritik
New Generation Connectivity: Africa’s Journey to 5G and the Wealth of Opportunities It Brings

Interviews

“I am a Perfect Symbol of Limitlessness”: Ebuka Njoku in Conversation with Afrocritik
Painting a New Way of Seeing Africa: In Conversation with the Filmmakers Who Took “Mami Wata” Global
Reem Gaafar is Blurring the Lines between Science and Creativity: In Conversation with Afrocritik
On Growing Up, Music, New Single And Future Projects: Guchi in Conversation with Afrocritik
“There’s no Permanent Enemy, only Permanent Interests” — Olarotimi Fakunle, Eleniyan of “Gangs of Lagos,” in Conversation with Afrocritik
Michael Omonua is Telling African Stories in the Language He Wants

Film & TV

AMVCA
The Biggest Snubs and Surprises of the 2025 AMVCA Nominations
Finding Me
“Finding Me” Review: Funke Akindele’s Mistitled Dramedy Struggles With an Identity Crisis
Suky
“Suky” Review: Ola Cardoso’s Prison-Set, Revenge-Themed Sports Drama Is Tepid
Omoni Oboli
Omoni Oboli and Nollywood’s Dilemma With Copyright Infringement
AMVCA
The Annual AMVCA’s Category Problem: Should TV Productions Be Competing with Films?
Fine Girl
“Fine Girl” Review: Fatimah Gimsay’s Film Is a Subversive Take On Modern Harassment and Female Empowerment

Music

Spotlight
Afrocritik’s Weekly Music Spotlight: Refreshment
Reflection Station
“Reflection Station” Review: Tay Iwar Is Mastering His Craft on New EP
Iron Boy
“Iron Boy” Review: Black Sherif’s New Album Is a Raw Exploration of Success and Struggle
Spotlight
Afrocritik’s Weekly Music Spotlight: Something Different
The Book Of Jones 1st Chapter
“The Book of Jones 1st Chapter” Review: Khaligraph Jones Employs Old Tricks for New Triumph
Street Pop
10 Artistes Expanding the Soundscape of Street Pop in Nigeria Today

VIDEOS

Welcome to our YouTube Channel

Books

Tunde Ososanya’s “Lagos, Life and Sexual Distraction” Captures Scenes of Tragedy and Sensuality
Chidiebube onye Okohia’s “Of Dark Tides and Darkling Times” is a Philosophical Exploration of Life
Ayòbámi Adébáyò’s “A Spell of Good Things” Sheds Light on Inequality in Modern Nigeria
Obinna Udenwe’s “The Widow Who Died with Flowers in her Mouth” Features Explorations of Loneliness and Redemption
An Unlikely Relationship Throbs in the Heart of Cairo in Noor Naga’s “If An Egyptian Cannot Speak English”
Khadija Abdalla Bajaber’s “The House of Rust” is a Story of Myths, Fantasies and Quests

Culture

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

Read More
AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

Read More
Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
Read More
2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
Read More
Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
Read More

Sports

Explainers

Fiction & Poetry