Dust to Dreams
Milisuthando
Anna-Karin Karlsson

Features & Essays

African Fashion on Display: Embracing Traditional Attires With a Modern Twist - Afrocritik
African Fashion on Display: Embracing Traditional Attires With a Modern Twist
African Folklore and Lessons: Exploring the Rich Heritage of Traditional Tales from the Continent- Afrocritik
African Folklore and Lessons: Exploring the Rich Heritage of Traditional Tales from the Continent
LIPFest 2023 - Sanctuary - Afrocritik
Lagos International Poetry Festival (LIPFest) 2023: A Sanctuary for Language-Hungry Creatives
Seyi Vibez: From Soulful Solace to Vibrant Vibez - Afrocritik
Seyi Vibez: From Soulful Solace to Vibrant Vibez
Ten of the Best Kenyan Hip-Hop Cyphers of All Time - Afrocritik
Celebrating Hip-Hop At 50: Ten of the Best Kenyan Cyphers of All Time
Nneoha Ann Aligwe - Africa International Horror Film Festival- Afrocritik
Nneoha Ann Aligwe is Reviving the Horror Film Genre with the Africa International Horror Film Festival (AIHFF): In Conversation with Afrocritik

Interviews

On Writing a Prescient Film: Kayode Jegede, Co-writer of “Gangs of Lagos” in Conversation with Afrocritik
“‘Kaleidoscope’ was written differently from the way I had done other projects,” – Lindsey Abudei: In Conversation with Afrocritik
Esther Kemi Gbadamosi on Taking Nigerian Animated Films to Berlinale: in Conversation with Afrocritik
Leading Conversations on Inclusivity, Babatunde Apalowo Takes First Nigerian Queer Film to Berlinale
Leading Conversations on Inclusivity, Babatunde Apalowo Takes First Nigerian Queer Film to Berlinale
Josh Olaoluwa
From Marine Biology to Filmmaking: Josh Olaoluwa’s Unlikely Journey into Nollywood
“Why My New EP Took Me Close to a Year to Put Out,” – Rhita Nattah: In Conversation With Afrocritik

Film & TV

Love, Olaitan
“Love, Olaitan” Review: Moyosore Akinsete’s Short Film Is a Mesmerising Portrait of Love and Loss
This Is Love
“This Is Love” Review: Njoku and Nonso’s Documentary Is a Tender Exploration of Queer Nigerian Love and Identity
Moyosore Akinsete
In Conversation: Moyosore Akinsete Talks “Love, Olaitan”, Growing Into Filmmaking, and the Fear of Loss
Blackout
“Blackout” Review: Okechukwu Oku’s Psychological Thriller Is Confident in Its Vision
Ada Ọmọ Daddy
“Ada Ọmọ Daddy” Review: A Dramatic Critique of Deadbeat Culture or A Deadbeat’s Fantasy?
Souleymane Cissé
Souleymane Cissé: The Light That Will Continue to Shine

Music

The Machine Is Coming
“The Machine Is Coming” Review: Odumodublvck’s New Project Is a Statement and a Warning
Viva Lavida
“Viva Lavida” Review: Joeboy Examines Love and Life on Expressive New Album
BlownBoy Ru
“Blownboy Ru” Review: Ruger’s Sophomore Album Stays True to His Afro-Dancehall Roots
Spotlight
Afrocritik’s Weekly Music Spotlight: Touch of Gospel
M.anifest
The Manifesto of M.anifest: New Roads, Same Genius
Spotlight
Afrocritik’s Weekly Music Spotlight: Rhythm & Blues

VIDEOS

Welcome to our YouTube Channel

Books

TJ Benson’s Ambitious Debut Novel, “The Madhouse,” Takes Nigerian Literature to New Heights
Tomorrow I Become a Woman
With Aiwanose Odafen’s “Tomorrow I Become a Woman,” The Modern Feminist Nigerian Novel Continues To Mature
Nnamdi Ehirim, Prince of Monkeys, Nigerian writers, African writers, African novel, Nigerian novel, Afrocritik
Nnamdi Ehirim’s “Prince of Monkeys” Captures the Trauma of a Generation
Hell Hath No Fury Like a Poet Scorned: A Review of Dami Ajayi’s “Affection and other Accidents”
What is Yet Unsaid about Eloghosa Osunde and Her Novel, “Vagabonds!”
The Orientations of the Street in Jindu Enugbe’s “Street OT”

Culture

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
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Sports

Explainers

Fiction & Poetry