Protect Sarz At All Costs
Surnames
Thunder and Roses

Features & Essays

Nigeria
Nigeria’s Class Problem and the Nepotism Debate
sexual violence
Dear Nollywood, Stop Using Sexual Violence as a Plot Device
African languages
Do African Languages Come From the Same Place?
Geoblocking
How Geoblocking and Cinema Scheduling Bias Undermine Distribution in Nollywood
Area Scatter
The Legend of Area Scatter: Enigmatic Musician or Misunderstood Individual?
Ngũgĩ wa Thiong’o
The Life and Political Imaginations of Ngũgĩ wa Thiong’o

Interviews

Zamo Mkhwanazi
TIFF 2025: In Conversation With Zamo Mkhwanazi, Director Of “Laundry”
FirstKlaz
The Neo-Arewa Soundscapes of FirstKlaz
Afolabi Olalekan
“None of Us Is Immune”: In Conversation with Afolabi Olalekan and Blessing Uzzi, Director and Producer of “Freedom Way”
Fimí
In Conversation: Fimí Talks Rap, Creative Confidence, and Finding Her Voice Through Music
Wingonia Ikpi
In Conversation: Wingonia Ikpi Talks Making “The Lost Days”, the First Features Project, and What’s Next
Maia Lekow
Maia Lekow And Christopher King Want To Make Films About Kenyan Women With A Strong Sense Of Agency

Film & TV

The Waiter
“The Waiter” Review: Here Is More Proof That Ayo Makun Needs to Lay Akpos To Rest
Achille Ronaimou
In Conversation: Achille Ronaimou on “Diya”, Confronting Tradition, Justice, and Forgiveness in Chad
Zamo Mkhwanazi
TIFF 2025: In Conversation With Zamo Mkhwanazi, Director Of “Laundry”
The Serpent’s Gift
“The Serpent’s Gift” Review: Kayode Kasum’s Film Is Undone by Shallow Cultural Detail
Nomad Shadow
TIFF 2025: Eimi Imanishi’s “Nomad Shadow” Deftly Navigates the Intricacies of Exile
Diya
TIFF 2025: Achille Ronaimou’s “Diya” Confronts The Brutal Arithmetic Of Justice And Retribution

Music

Èkó Groove
“Èkó Groove” Review: Spinall Assembles Star-Studded Cast on New Album
Wonderful
“Wonderful” Review: Tay Iwar Continues To Wow With New EP
Catharsis
“Catharsis” Review: Fola’s Debut Album Offers an Intimate Outpouring of Desire and Affection
Kings Will Rise
“Kings Will Rise” Review: The Scorpion Kings Continue Stellar Run With New Album
Spotlight
Afrocritik Weekly Music Spotlight: Projects Galore
This Is Personal
“This Is Personal” Review: Tiwa Savage Deeply Explores R&B in Her Most Soul-Baring Album Yet

VIDEOS

Welcome to our YouTube Channel

Books

Sanya
“Sanya” Review: Oyin Olugbile’s Debut Novel Is a Creative Retelling of Sango as a Woman Warrior
Petrichor
“Petrichor” Review: Ayo Oyeku’s Novel Is an Attempt to Probe the Meaning of Justice
The Middle Daughter
“The Middle Daughter” Review: Chika Unigwe Synthesises Form And Content Into Mesmerising Storytelling
An Unusual Grief
Grief Touches the Sublime in Yewande Omotoso’s “An Unusual Grief”
New York, My Village
“New York, My Village” Review: Uwem Akpan’s Book Is An Important Breakaway From Conventional Contemporary Setting
Leave My Bones in Saskatoon
Michael Afenfia’s “Leave My Bones in Saskatoon” and the Burial of Prose Fiction

Culture

crime reporting apps
Can Crime Reporting Apps Increase Police Responsiveness in Africa?
wife vs mom
The Misogyny of “Wife vs. Mom” Hypotheticals and Why We Must Retire Them
African languages
Do African Languages Come From the Same Place?
app
10 Must-Have Apps for University Students in Africa
AI chatbots
Should We Be Having Deep Conversations With AI Chatbots?
satellite
Can Satellite Imagery Spot and Solve Africa’s Poverty From The Sky?

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
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Sports

The African Giant
Documentary Spotlight: “The African Giant”
AfroBasket
The Ultimate Guide to the 2025 Women’s AfroBasket in Côte d’Ivoire
WAFCON
WAFCON 2024 Quarterfinal Guide: Players to Watch and Our Predictions
WAFCON
WAFCON 2024: African Women’s Football Deserves Better Broadcast Coverage
Kyalami
Kyalami’s Renaissance: Paving the Way for F1’s Return to Africa
Club World Cup
Africa at the 2025 FIFA Club World Cup

Explainers

How Fuji Music Influences the Modern Afro-Pop Soundscape
How Fuji Music Influences the Modern Afro-Pop Soundscape
Samson Dauda
All the Scoop on Samson Dauda, the 2024 Mr Olympia Winner
Gamification
How Gamification Can Make Technical Learning Fun for African Students
FASU 2024
FASU 2024: Scholars Compete, Cultures Converge in Lagos
Bongo Flava artistes
Bongo Flava: The Evolution of East Africa’s Soundtrack
Cold chain storage technology
Examining the Role of Cold Chain Storage Facilities in Reducing Nigeria’s Post-harvest Losses

Fiction & Poetry

“Life’s Daunting Stare” & “Home As A Symbol Of Nostalgia” | Poems By Ewurama Tawiah Welbeck
The Spaces Between Stars | Short Story By Adédoyin Àjàyí
two poems
“Knitting Grief” & “Conversations” | Poems by Pleasant Nneoma Stephen
two poems
Two Poems by Salihu Muhammad Ebba
FLOODWATER | Poem By Al Ameen Muhammad
The Boy Who Brought Balloons
The Boy Who Brought Balloons | Short Story by Maryam Abdulkarim