Dust to Dreams
Milisuthando
Anna-Karin Karlsson

Features & Essays

NLNG Nigeria Prize for Literature
The Cuttings of 2025: Are African Literary Prizes Out of Touch?
memories
In Absence, You Find Presence: What “My Father’s Shadow” Taught Me About Remembering
Nollywood
Nollywood and Its Complicated Relationship with the Oscars
animation
Animating Africa: Inside the Rise and Realities of African Animation
Surnames
Whose Name Do You Bear? The Politics of Surnames and the Erasure of African Women
Macondo Literary Festival
Macondo Literary Festival 2025: East Africa’s Literary Vanguard Holds Its Fifth Edition

Interviews

Oyin Olugbile
“I Write Because I Have to Tell the Story”: In Conversation With Oyin Olugbile on Her Nigeria Prize for Literature Shortlist, “Sanya”
Nikki May
“It’s People You Belong To Rather Than Places”: In Conversation With Nikki May on Her Nigeria Prize for Literature Shortlist, “This Motherless Land”
Omotola Jalade Ekeinde
In Conversation With Omotola Jalade Ekeinde On Her Directorial Debut, “Mother’s Love”
EWA
In Conversation With Deola And Darey Art Alade: On Making EWA “Africa’s Definitive Creative Convergence”
Nomad Shadow
TIFF 2025: In Conversation With the Cast and Crew of “Nomad Shadow”
Achille Ronaimou
In Conversation: Achille Ronaimou on “Diya”, Confronting Tradition, Justice, and Forgiveness in Chad

Film & TV

The Fisherman
AFRIFF 2025: Zoey Martinson’s “The Fisherman” Mines Humour in the Pursuit of Dreams and the Tensions That Accompany Change
Njem, The Boy Who Gave
AFRIFF 2025: “Njem” and “The Boy Who Gave” Find Drama in the Spectacle of Suffering
Double or Nothing
AIFF 2025: Rachida SaadiʼS “Double or Nothing” Is a Gamble on Love and Addiction That Plays It Too Safe
Kalu Oji
AFRIFF 2025: In Conversation With Kalu Oji and Okey Bakassi, Writer-Director and Lead Actor of “Pasa Faho”
Adunni: Ogidan Binrin
AIFF 2025: “Adunni: Ogidan Binrin” Is a Story of Resistance Undone by Its Own Execution
To Adaego with Love
AFRIFF 2025: Nwamaka Chikezie’s “To Adaego with Love” Is a Post-War Romance of Half Measures

Music

beef
Has Nigerian Hip-Hop Found Its Mojo Again?
No Excuses
“No Excuses” Review: Blaqbonez Reaffirms His Status With Swagger, Skill, and Clarity
Fuji
“Fuji” Review: Adekunle Gold’s Sixth Album Honours Fuji’s Legacy With Modern Sensibility
Spotlight
Afrocritik Weekly Music Spotlight: Mega Catch-Up
Industry Machine
“Industry Machine” Review: Odumodublvck’s Album Is Loud, Bold, and Loosely Bolted Together
Protect Sarz At All Costs
“Protect Sarz At All Costs” Review: Sarz’s Star-Loaded Debut Is Brilliant in Parts, But Fails to Thrill Fully

VIDEOS

Welcome to our YouTube Channel

Books

Everything Is Not Enough
“Everything Is Not Enough” Review: Lola Akinmade Åkerström’s Sequel Deepens Her Mirror of Black Womanhood and Survival
Alexander Nderitu
“Nairobi Is a City Where Literature Thrives”: In Conversation With Alexander Nderitu, Africa’s First Digital Novelist
The Edge of Water
“The Edge of Water” Review: Grace Olufunke Bankole’s Debut Novel Searches For Meaning In Matrilineal Ties And Liminal Spaces
They Killed Ahmet
“They Killed Ahmet” Review: Ikenna Okeh’s Novel Is Trope-Heavy With Flickers of Promise
The Mind Is Not an Ally
“The Mind Is Not An Ally” Review: Ayo Deforge Philosophises About The Mind In Her Poetry Collection
Thunder and Roses
“Thunder and Roses” Review: Eniola Omorinkoba’s Novella Is an Apt Encapsulation of the Nuances of Love & Loving

Culture

Labubu dolls
How Capitalists Are Exploiting Us Through ‘Must-Haves’
To Kill a Monkey
To Kill a Conversation: Nollywood, Criticism, and the Culture of Silence
Nigeria
Nigeria’s Class Problem and the Nepotism Debate
Skincare
Why African Men Are Finally Embracing Skincare
Marriage
To Sacrifice for Love: A Case for the Beauty of Marriage
crime reporting apps
Can Crime Reporting Apps Increase Police Responsiveness in Africa?

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
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Sports

World Athletics Championships
Africa’s Medal Tally at the 2025 World Athletics Championships
transfer
The Biggest African Transfers of Summer 2025 Across Europe’s Top Leagues
Football
Why Are Major African Football Tournaments Always Hosted by the Same Countries?
Kelechi Nwakali
Kelechi Nwakali: Stuck in Football’s Revolving Door
women’s football
A $100,000 Reward, No Infrastructure: Nigeria Must Rethink Women’s Football
The African Giant
Documentary Spotlight: “The African Giant”

Explainers

How Fuji Music Influences the Modern Afro-Pop Soundscape
How Fuji Music Influences the Modern Afro-Pop Soundscape
Samson Dauda
All the Scoop on Samson Dauda, the 2024 Mr Olympia Winner
Gamification
How Gamification Can Make Technical Learning Fun for African Students
FASU 2024
FASU 2024: Scholars Compete, Cultures Converge in Lagos
Bongo Flava artistes
Bongo Flava: The Evolution of East Africa’s Soundtrack
Cold chain storage technology
Examining the Role of Cold Chain Storage Facilities in Reducing Nigeria’s Post-harvest Losses

Fiction & Poetry

Two Poems
Two Poems | By Salama Wainaina
Dearth Warning Signs
Dearth Warning Signs | Poem By Peace Ogunjemilua
three poems
Three Poems | By Olamoyegun Noah O
two poems
Two Poems | By Tukur Ridwan
The Dreamer | Short Story By Ornguze Nashima Nathaniel
“Life’s Daunting Stare” & “Home As A Symbol Of Nostalgia” | Poems By Ewurama Tawiah Welbeck