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“Dust to Dreams” Review: Idris Elba and Mo Abudu Collaborate on a Short Film That Squanders Its Fortunes
“Milisuthando” Review: Bongela-Davis’ Film Places the Nation in the Mirror of a Single Life
Anna-Karin Karlsson Brings Couture Eyewear Spectacle to Lagos in Cabaret-Inspired Showcase
Features & Essays
Tems is Confident in Her Sensuality in Her Latest Single, “Me & U”
Cardinal Rex Lawson: The Philosophy and Timeless Artistry of His Music
Funding and Collaboration in Nollywood: What Could “The Black Book” Tech Investors Mean for Filmmakers in Nigeria?
Understanding the Uproar About a White Miss Universe Zimbabwe: Could This Spark Fresh Dialogues on Inclusion and Diversity?
Seven Ancient African Civilisations You Should Know About
Is There a Parallel Between the Skin Bleaching Epidemic and Colourism That is Being Overlooked in Africa?
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Interviews
With “Collector of Memories,” Joshua Chizoma is Creating Identities
Dami Ajayi, and the Mission of Creating Unending Voices
From South Sudan to Canada, Amanie Illfated’s Music Charts New Paths
“How I Produced Pheelz’s ‘Finesse’” — Miichkel
“African Filmmakers Need To Retain Their Original Form Of Storytelling” – Akinola Davies Jr, Director Of “Lizard”
Blackstar Film Festival: “We Wanted To Tell A Story About Nigeria” – Arie And Chuko Esiri, Directors Of “Eyimofe”
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Film & TV
“Penance” Review: Awal Abdulfatai’s Film Fails to Deliver on Its Premise
“Something About the Briggs” Review: Bukola Ogunsola’s Film Cleverly Navigates Marital Realities
What Trends Will Drive Africa’s Film Industry in 2025?
15 Nollywood Movies Perfect for Date Night
21 Films That Shaped Major Trends in Nollywood
“Mr Easy Loo” Review: The Mandla Ngcongwane-Directed Film Is a Humorous Critique of Apartheid Era South Africa
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Music
Odumodublvck & the Never-Ending Fight Over What Nigerian Rap Should Be
Afrocritik’s Weekly Music Spotlight: Something Different
“I Dream In Color” Review: Magixx’s Debut Album Offers an Unfiltered Look Into His Mind
“Best of Both Worlds” Review: Kel-P and Wande Coal’s EP Struggles to Meet Expectations
Will Arewa Music Be the Next Big Wave in Contemporary Nigerian Pop?
Afrocritik’s Weekly Music Spotlight: Buttery Smooth
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VIDEOS
Welcome to our YouTube Channel
Books
The Ironies of Patriarchy in Igbo Society: a Review of Cheluchi Onyemelukwe-Onuobia’s “The Son of the House”
In Abi Dare’s “The Girl with the Louding Voice,” Language Plays a Foremost Role in Storytelling
The Son of the House: Cheluchi Onyemelukwe-Onuobia’s Powerful Storytelling Builds an Edifice from an Age-worn Plot
Chibundu Onuzo’s “The Spider King’s Daughter” Fails Tragically in its Literary Bidding
The Call to Greater Understanding: A Review of Ukamaka Olisakwe’s “Ogadinma: Or Everything Will Be All Right”
Book Review: Why Chibundu Onuzo’s “Welcome to Lagos” Failed to Hit Its Mark
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Culture
Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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