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Fela Anikulapo Kuti to Receive Lifetime Achievement Award at 2026 Grammy Awards
TSWA Film Festival 2025: “Girl-Boy”, “Say Something”, “Ziwa”, “Entre Nós e o Silêncio”, “Bureau De Change”, and “Fading Candle” Reviews
ADIFF 2025: Yassine Fennane’s “The Ants” Undertakes a Study in Dignity and Survival Across Class
Features & Essays
The Story, Politics, Reactions Trailing Nigerian ‘Professor’ Onyeka Nwelue
What is Humanity’s Fuss about Strongmen?
These 5 Nigerian Skit Makers are Blurring the Lines between Comedy & Music
Are African Literary Magazines Moving in the Right Direction?
“Like and Follow:” Why Do Numbers Matter on Obasanjo’s Internet?
Celestine Ukwu’s Musical Philosophy: Is This the Sweet Spot of Highlife?
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Film & TV
“The Legend of the Vagabond Queen of Lagos” Review: The Agbajowo Collective’s Film Is a Bold Statement on Resistance
“Tòkunbọ̀” Review: Ramsey Nouah’s Film Exposes Nollywood’s Storytelling Flaws
“Family Vacation” Review: Voline Ogutu’s Feature Film Unpacks the Facade of Social Media Perfection
“With Difficulty Comes Ease” Review: Korede Azeez’s Film Is a Masterful Blend of Art and Heart
“Losing Lerato 2” Review: Zolani Phakade’s Sequel Is an Underwhelming Outing
“What About Us?” Review: Kayode Kasum’s Family Drama Drastically Fumbles its Third Act
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Music
Top 10 Conscious Songs from East Africa
15 Best Conscious Songs From Nigeria
“Sui Generis” Review: Reminisce’s New EP Is a Gritty Fusion of Indigenous Rap and Fuji Rhythms
“OFA” Review: Oxlade’s Emotional Range Shines in His Debut Album
“Starter” Review: Ali Kiba’s EP Is a Nod to Bongo Flava’s Foundational Soundscapes
“Love/Hate Pt 2” Review: Xenia Manasseh’s Sophomore Album Is Proof of an Artistic Refinement
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2025 AMVCA: How the Stars Lit up the Night With Style
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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