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Afrocritik’s Top 100 African Songs of 2025
TSWA Film Festival 2025: Freedom of Movement and the Cost of Survival in “Casablanca – Dakar” and “Seed Is Life”
ADIFF 2025: In Conversation With Nana Adwoa Frimpong, Producer of “The Eyes of Ghana”
Features & Essays
Whose Name Do You Bear? The Politics of Surnames and the Erasure of African Women
Macondo Literary Festival 2025: East Africa’s Literary Vanguard Holds Its Fifth Edition
Are Music Videos Relevant in Afro-Pop Today?
Noise or Attention: What Really Sells Nollywood Films?
How Capitalists Are Exploiting Us Through ‘Must-Haves’
To Kill a Conversation: Nollywood, Criticism, and the Culture of Silence
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Interviews
In Conversation With Deola And Darey Art Alade: On Making EWA “Africa’s Definitive Creative Convergence”
TIFF 2025: In Conversation With the Cast and Crew of “Nomad Shadow”
In Conversation: Achille Ronaimou on “Diya”, Confronting Tradition, Justice, and Forgiveness in Chad
TIFF 2025: In Conversation With Zamo Mkhwanazi, Director Of “Laundry”
The Neo-Arewa Soundscapes of FirstKlaz
“None of Us Is Immune”: In Conversation with Afolabi Olalekan and Blessing Uzzi, Director and Producer of “Freedom Way”
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Film & TV
Films and TV Shows to Watch Across Africa This Holiday
ENIFF 2025: Gaëlle Le Roy Chronicles a Decade of Youth Resistance in “Afrikki”
In Conversation: Nnamdi Kanaga Explores Liaising With The Supernatural in “Water Girl”
“Memory of Princess Mumbi” Review: Damien Hauser’s Bold Afrofuturistic Swing Into the Age of Artificial Intelligence
ENIFF 2025: Nnamdi Kanagaʼs “Water Girl” Reclaims Ogbanje Narratives With Intimacy and Precision
“Bad Influencer” Review: Netflix’s South African Series Is a Stylish, Chaotic Tale of Clout and Consequences
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Music
Afrocritik Weekly Music Spotlight: Mega Catch-Up
“Industry Machine” Review: Odumodublvck’s Album Is Loud, Bold, and Loosely Bolted Together
“Protect Sarz At All Costs” Review: Sarz’s Star-Loaded Debut Is Brilliant in Parts, But Fails to Thrill Fully
“Peace By Piece” Review: Fireboy DML and Pheelz’s Collaborative EP Serves Up Feel-Good Afro-Pop Bliss
“Yariasu” Review: Nyashinski’s Familiarity Dulls the Spark of His Latest Album
“The Torcher” Review: Stonebwoy Proves His Pedigree on New Album
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VIDEOS
Welcome to our YouTube Channel
Books
“Nairobi Is a City Where Literature Thrives”: In Conversation With Alexander Nderitu, Africa’s First Digital Novelist
“The Edge of Water” Review: Grace Olufunke Bankole’s Debut Novel Searches For Meaning In Matrilineal Ties And Liminal Spaces
“They Killed Ahmet” Review: Ikenna Okeh’s Novel Is Trope-Heavy With Flickers of Promise
“The Mind Is Not An Ally” Review: Ayo Deforge Philosophises About The Mind In Her Poetry Collection
“Thunder and Roses” Review: Eniola Omorinkoba’s Novella Is an Apt Encapsulation of the Nuances of Love & Loving
“I Cry At The Feet of My Other Body” Review: Mustapha Enesi’s Debut Collection Confronts Patriarchy and the Loss of Agency
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Culture
Can Crime Reporting Apps Increase Police Responsiveness in Africa?
The Misogyny of “Wife vs. Mom” Hypotheticals and Why We Must Retire Them
Do African Languages Come From the Same Place?
10 Must-Have Apps for University Students in Africa
Should We Be Having Deep Conversations With AI Chatbots?
Can Satellite Imagery Spot and Solve Africa’s Poverty From The Sky?
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
Documentary Spotlight: “The African Giant”
The Ultimate Guide to the 2025 Women’s AfroBasket in Côte d’Ivoire
WAFCON 2024 Quarterfinal Guide: Players to Watch and Our Predictions
WAFCON 2024: African Women’s Football Deserves Better Broadcast Coverage
Kyalami’s Renaissance: Paving the Way for F1’s Return to Africa
Africa at the 2025 FIFA Club World Cup
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Explainers
The Art Behind the Music: Why Album Covers Matter
The Power and Essence of Album Rollouts
AI Voice Cloning Scams: How to Protect Yourself
African Basketball in Paris: South Sudan and Nigeria Face Formidable Olympic Hurdles
Understanding Music Marketing Beyond Publicity Stunts: A Guide for African Artistes
Enhancing Learning for African Children with Disabilities Through Assistive Technologies
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Fiction & Poetry
“Life’s Daunting Stare” & “Home As A Symbol Of Nostalgia” | Poems By Ewurama Tawiah Welbeck
The Spaces Between Stars | Short Story By Adédoyin Àjàyí
“Knitting Grief” & “Conversations” | Poems by Pleasant Nneoma Stephen
Two Poems by Salihu Muhammad Ebba
FLOODWATER | Poem By Al Ameen Muhammad
The Boy Who Brought Balloons | Short Story by Maryam Abdulkarim
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