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“The Mind Is Not An Ally” Review: Ayo Deforge Philosophises About The Mind In Her Poetry Collection
Rising Afrobeats Act, Taene, Set to Release Debut EP, “See You at the Top”
Spotify Partners With ChatGPT to Offer Personalised Music and Podcast Recommendations
Features & Essays
What’s Behind Nigeria’s Fear and Criminalisation of Dreadlocks?
JAMB: Exam Body in Crisis or Symptom of a Broken Educational System?
Tolani Is Creating Music on Her Own Terms
Who Wrote This? The Crisis of Criticism in the AI Era
It’s the Eleventh Edition, and We Still Don’t Know What the AMVCA Trailblazer Award Is
Kester Kanayo Onyemaechi and His Archive of Healing
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Interviews
“Making a Film Anywhere in Africa Is a Struggle”: In Conversation With Tunisian Filmmaker, Amel Guellaty, Director of “Where the Wind Comes From”
“Readers Will Bring All Kinds of Meaning to Your Work”: Uche Okonkwo, In Conversation with Afrocritik
Idowu Odeyemi’s New Theory of Disgust: He Thinks What You Say Can Be Disgusting
Loud Urban Choir Is Redefining Choral Music in Afro-Pop
Billboard-Honoured Lawyer, Akinyemi Ayinoluwa, Talks Music Law, African Excellence, and Creative Rights
Blinky Bill: East Africa’s Quiet Radical
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Film & TV
“Say Who Die?” Review: Paul Utomiʼs Film Crumbles Under the Weight of its Own Ambition
NIFS Dispatch: 5 Key Takeaways from the 2025 Nigerian International Film Summit
“Sin: First Blood” and “Sin: Blackout” Review: The Irredeemable Failure of Jim Iyke’s Big-Budget Crime Thriller Wannabe
Noise or Attention: What Really Sells Nollywood Films?
“Out in the Darkness” Review: Sarah Kwaji’s Film Feebly Explores Postpartum Health
“Devil is a Liar” Review: Moses Inwangʼs Film Lies About the Story It Is Telling
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Music
“After Midnight” Review: Gyakie Consolidates Her Familiar Style on Debut Album
“Less Trouble” Review: Shekhinah Presents Her Best Work Yet With New Album
“Memorabilia” Review: Efue Announces Herself Impressively With Debut EP
Afrocritik Weekly Music Spotlight: BIG JOL!
Are Music Videos Relevant in Afro-Pop Today?
“Emadlelweni Aluhlaza” Review: Blue Pappi Charts Introspective Journey Across Sprawling Album
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VIDEOS
Welcome to our YouTube Channel
Books
Michael Afenfia’s “Leave My Bones in Saskatoon” and the Burial of Prose Fiction
8 Literary Festivals Lighting Up Africa in the Second Half of 2025
“Years of Shame” Review: Obinna Udenwe’s Ambitious New Novel Nearly Crumbles Under the Weight of Editorial Issues
“When Love Visits” Review: Comfort Omovre’s Explores Love Through Conventional Romance Archetypes
Nairobi LitFest 2025: NBO Explores The Countercurrents of Knowing
“The Parlour Wife” Review: Foluso Agbaje’s Novel Is a Vital Contribution to Historical Fiction
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Culture
Afrocritik Turns Four: Still Projecting Africa, One Story at a Time
What’s Behind Nigeria’s Fear and Criminalisation of Dreadlocks?
JAMB: Exam Body in Crisis or Symptom of a Broken Educational System?
Can Body-Worn Cameras Build Trust In Africa’s Policing?
The Cultural and Structural Realities Behind Llona and Odumodublvck’s Grassroots Tours
10 Times Nigerian Songs Made a Surprise Comeback Online
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
Has the African Football League Gone Ghost?
Unity Cup 2025: New Squads, Old Rivalries, One Cause
Why Are East Africa’s Best Athletes Competing for Other Countries?
The 2025 CAF U-20 Africa Cup of Nations: Competition Review, Standout Players, and Finals Preview
Basketball Africa League Season 5: Race for the Playoffs
African Excellence at the 2025 Diamond League
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Explainers
The Art Behind the Music: Why Album Covers Matter
The Power and Essence of Album Rollouts
AI Voice Cloning Scams: How to Protect Yourself
African Basketball in Paris: South Sudan and Nigeria Face Formidable Olympic Hurdles
Understanding Music Marketing Beyond Publicity Stunts: A Guide for African Artistes
Enhancing Learning for African Children with Disabilities Through Assistive Technologies
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Fiction & Poetry
MIDNIGHTS | Fiction by David Agyei-Yeboah
Clan | Poem by Victor Obukata
Fine Geh | Fiction by Chizitere Madeleine Nwaemesi
Untitled Poem for a Boy Who Never Knew Love | By Stephen Nwankwo
Across the Border | Fiction by Bello Taiwo Victoria
“the village’s elegy” & “A sonnet is fighting absolution” | Poems by Josiane Kouagheu
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