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Fela Anikulapo Kuti to Receive Lifetime Achievement Award at 2026 Grammy Awards
TSWA Film Festival 2025: “Girl-Boy”, “Say Something”, “Ziwa”, “Entre Nós e o Silêncio”, “Bureau De Change”, and “Fading Candle” Reviews
ADIFF 2025: Yassine Fennane’s “The Ants” Undertakes a Study in Dignity and Survival Across Class
Features & Essays
20 Emerging African Artistes Poised to Stun the World
The Architecture of Literary Prizes: What Does the Future Hold for the NLNG Nigeria Prize for Literature?
Ethnic Diversity in the British Parliament: 10 Black Africans Who Have Served as Members of Parliament
International Day of the Girl Child 2022: 8 Young African Women Amplifying the Voice of the Girl Child
15 Emerging and Gifted Voices Amplifying African Literature Today
Do Women Have a Role to Play in the Popularity of Patriarchal Ideals?
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iREP Film Festival 2024 Dispatch: Righting the Future Through Documentary
FilmOne Studios Releases Trailer for New Film, “Aburo”
“Áfàméfùnà” Review: Kayode Kasum’s Heartfelt Love Letter to Igbo Enterprise Could Use Better Structuring
Veteran Actress, Bukky Wright, Returns to Big Screens in Rixel Studios’ Upcoming Title, “Red Circle”
In Memory: 8 Memorable Roles by Amaechi Muonagor
Being a Creative Amidst Nigeria’s Economic Turbulence: How Nollywood Filmmakers are Cutting Costs
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Music
In “Ogechi”, Brown Joel, Boypee, and Hyce Long For Affection
“The Year I Turned 21” Review: Ayra Starr’s Sophomore Project is her Sonic Autobiography
How Kikuyu House and Electronic Dance Music is Taking Root as a Music Genre
“What Would You Do Without Me” Review: Cheque’s EP Adds a Consequential Layer to His Artistry Mosaic
Tiwa Savage’s Soundtrack Project, “Water & Garri”, is a Nod to Her Musical Prowess
In Conversation: Aisosa is Nigeria’s Newest Lover Boy and R&B Champion
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2025 AMVCA: How the Stars Lit up the Night With Style
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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