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Fela Anikulapo Kuti to Receive Lifetime Achievement Award at 2026 Grammy Awards
TSWA Film Festival 2025: “Girl-Boy”, “Say Something”, “Ziwa”, “Entre Nós e o Silêncio”, “Bureau De Change”, and “Fading Candle” Reviews
ADIFF 2025: Yassine Fennane’s “The Ants” Undertakes a Study in Dignity and Survival Across Class
Features & Essays
Igbobinna Eze: An Artist Staying True to His Spirit
In the Place Between Sleep and Awake
Afrocritik’s 50 Notable Essays from Africa in 2024
The Evolving Role of Streaming Platforms in Global Culture
Does Nollywood Have Too Many Speaking Events?
What Music and Dance Trended in Francophone Africa in 2024?
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Interviews
The Creative Pulse of Chike: An Artiste’s Narrative
In Conversation: Kcee Talks “Mr. Versatile”, Culture, and the Art of Reinvention
In Conversation: Simbarashe Steyn Kundizeza on Crafting His Island Prize Winning Manuscript, “Freelance”
Itegboje Daniel is Effecting Societal Change Through Documentary Filmmaking
In Conversation: Konstance Talks Music, Ambition, and New Ventures
In Conversation: How Kaycee Brown Is Embracing His Identity Through Music
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Film & TV
25 Nollywood Films That Explore Nationhood, Independence, and Self-Discovery
“My Father’s Shadow” Review: Akinola Davies Jr.’s Intimate Tribute to Fatherhood, a Nation in Distress, and Its Biggest City
30 Nollywood Films That Explore African Spirituality and Tradition
In Conversation With Omotola Jalade Ekeinde On Her Directorial Debut, “Mother’s Love”
TIFF 2025: In Conversation With the Cast and Crew of “Nomad Shadow”
“This Is Not a Burial, It’s a Resurrection” Review: Lemohang Jeremiah Mosese Crafts a Poetic Resistance
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Music
“Goodgirl” Review: GoodGirl LA Reintroduces Her Vibrant Uniqueness on New EP
In Conversation: Fimí Talks Rap, Creative Confidence, and Finding Her Voice Through Music
Afrocritik Weekly Music Spotlight: Second Bridge Week
“No Sign of Weakness” Review: Burna Boy’s LP Is Technical, Polished, Yet Safely Played
“Paradise Now” Review: Obongjayar’s Sophomore Album Is a Fitting Treatise on Self
10 Artistes Leading the Afro-Gospel Sound in 2025
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VIDEOS
Welcome to our YouTube Channel
Books
“Child of Congo” Review: Laurène Southe’s Chapbook Explores History, Identity, and the African Experience
“Death of the Author” Review: Nnedi Okorafor’s Book Addresses the Complex World of Writing and Publishing
Navigating the Business Side of Writing: What Every Author Needs to Know
“A Future in Chains” Review: Ndifreke Ukpong’s Book Expertly Tackles Faith, Tradition, and Resilience
Afrocritik’s Anticipated Books of 2025
Afrocritik’s Notable Books From Africa in 2024
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Culture
Afrocritik Turns Three: What It Means to Amplify African Voices
The Cultural Renaissance of East African Theatre and Performing Arts
Mara: What to Know About the Viral Hyper-Fast and Energetic Sound
All the Fuss About Afrobeats, Its “Way-Pavers” and Frontliners
Is Controvesy the Linchpin that Keeps Portable in the Spotlight?
Will Rwanda Become the New Hub for Arts and Entertainment in East Africa?
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
2024 Paralympics: How African Nations Fared at the Paris Games
Super Eagles and the Foreign Coach Conundrum: A Step Forward or Backward?
Paralympics 2024: Can Egypt Get Back to Winning Gold in Paris?
Nigeria’s Paris 2024 Olympic Failure: Who’s to Blame?
Egypt vs. Morocco Preview: North African Rivals Face off for 2024 Paris Olympic Football Bronze
African Weightlifting Contenders at the 2024 Paris Olympics: A Comprehensive Preview
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Explainers
Fiction & Poetry
Refaat Alareer | Poem by Abigail George
Eternal Feast | Fiction by Iko Odoba
the gospel of a father | Poem by Azaiouris Y. Zeon
Toby Abiodun’s “Original Psalms” Is a Poet’s Lyrical Riff on Love and Self-Understanding
A Flicker of Light | Daniel Echezonachi Maxwell
A Sacred Song for You | Tehila Okagbue
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