Nollywood

“Breaded Life” Review: Biodun Stephen Writes and Directs to Perfection a Twist of Fate

With more tear-jerking moments than the title ;breaded life prepares us for, the movie leaves…

charge and bail
“Charge and Bail” Review: Inkblot’s Courtroom Drama is a Legal Comedy in Every Sense

What Charge and Bail really is, is a legal comedy. And I mean that in…

“The Wildflower” Review: Biodun Stephen’s Winning Streak Continues in New Film About Gender-Based Violence

The film’s(The wildflower) mostly well-written screenplay exposes Nigeria’s rape culture, exploring the perceived normalcy of…

“Dazzling Mirage” Review: Tunde Kelani’s Old but Gold Film on sickle-cell Disease Makes Entrance on Netflix

From its first release in 2014, to its recent release on Netflix, the movie remains…

“The Perfect Arrangement” Review: Inkblot Production’s Latest Release Lacks Artistic Direction

…while the actors played their part to save this movie, bad scripting is a significant…

“Foreigner’s God” Review: A Good Story Ruined with Bad Accents and a Foreigner Nobody Needs

But if its white saviour narrative is its biggest problem, its most obvious flaw is…

12 Outfits from AMVCA 2022 Viewers Can’t Stop Talking About

By Blessing Chinwendu Nwankwo Cancelled in 2021 due to the COVID-19 pandemic, the eighth edition…

“The Man for the Job” Review: More Is Less in Niyi Akinmolayan’s Tech-World Crime Thriller

The movie is at its best when it is being relatively simple, but when it…

Four Nollywood Crime Thrillers to Stream After “Blood Sisters” (And Four Coming Soon)

By Vivian Nneka Nwajiaku If you have been paying any attention to Nollywood or Netflix,…

“King of Thieves” Review: Femi Adebayo’s Epic Sets a New Standard for Nollywood

But if this is the minimum standard for the coming big-budget epic movies from Anthill…