Vivian Nneka Nwajiaku

Tarella: Princess of the Nile
“Tarella: Princess of the Nile” Review: A Nollywood Cinderella Reimagining With Too Little Imagination

Everything about Tarella takes you out of whatever world it wants to place you in,…

Summer Rain
“Summer Rain” Review: Adenike Adebayo-Esho’s Film Anchors a Promising Romance That Fizzles Away

With unhandy direction and an unwieldy screenplay, Summer Rain crumbles under the weight of its…

democracy day
Marking Democracy Day: 5 Films about Nigeria’s Democracy (And Where to Find Them)

Film has always been an important avenue for social and political commentary. Nigerian politics can…

Vaillante: The Cast of UNICEF’S Miniseries Want Child Marriage Survivors to Feel Seen

Considering the gravity of the theme, delivering on their roles could not have been easy.…

A Naija Christmas Review: Kunle Afolayan’s Delightful But Unsatisfactory Christmas Romp

Essentially, the movie, A Naija Christmas is only original in its outlook. There is that…

Whose Funeral Is It? A Review of “How To Ruin Christmas” Season 2: “The Funeral”

This is where “The Funeral” shines brightest: in the subtle but clear evidence of growth…

Nollywood Horror Film “Hex” Review: A Clarence Peter’s Experimental Foray Into Film Making

What matters to viewers, ultimately, is that a horror film delivers some type of heightened…

Opinion: What, Truly, is the African Story?

…a platform for African writers for the purpose of discovering “the best authentic African story…

Movie Review: Kemi Adetiba’s “King Of Boys: The Return Of The King” Is Enjoyable, But It Lacks Bite

By Vivian Nneka Nwajiaku King of Boys, Kemi Adetiba’s crime drama, made great impact on…

Movie Review: Izu Ojukwu’s “76” Excels As A Period Piece With A Knack For Detail

By Vivian Nneka Nwajiaku It is often said that Nigerians don’t know their history. Many…