Search Results for: "Christopher King"

Maia Lekow
Maia Lekow And Christopher King Want To Make Films About Kenyan Women With A Strong Sense Of Agency

“These films and the ideas for them are deeply intertwined with our personal lives. When…

Afrocritik’s 30 Remarkable African Feature Films of 2025
Afrocritik’s 30 Remarkable African Feature Films of 2025

This year, African filmmakers tested the boundaries of filmmaking, deepened the aesthetic and thematic language…

Sundance Film Festival
Sundance Film Festival Announces 2026 Selections, Including Titles from Nigeria, Kenya and South Africa

Three African features from Nigeria, Kenya, and South Africa will screen across competitive and non-competitive…

Onyekachi Iloh, Yomi Folaranmi, and Gboyega Odubanjo
“Three Hymns”: On Poems by Onyekachi Iloh, Yomi Folaranmi, and Gboyega Odubanjo

Onyekachi Iloh’s “It Is Once Again the Season of Corn”, Yomi Folaranmi’s “Reverie on Milliken…

Nnedi Okorafor
Nnedi Okorafor and Harmonia Rosales Earn 2026 NAACP Image Award Fiction Nominations

Nnedi Okorafor’s (2025) and Harmonia Rosales’ Chronicles of Ori: An African Epic (2025) both appear on…

Ojirami
“Ojirami: The Weeping River” Review: Immigration, Myth, and Tragedy Swirl in a Play About the Potency of a Deity

The influence of holistic theatre on Christopher’s Ojirami: The Weeping River is a delight. Scenes…

Adunni: Ogidan Binrin
AIFF 2025: “Adunni: Ogidan Binrin” Is a Story of Resistance Undone by Its Own Execution

Adunni: Ogidan Binrin is a reminder that even the most righteous revolutions can falter when…

Devil is a Liar
“Devil is a Liar” Review: Moses Inwangʼs Film Lies About the Story It Is Telling

The execution of Devil is a Liar is formulaic, recycling tropes we have seen countless…

Sinners
The Success of “Sinners” at the Nigerian Box Office: Five Lessons for Nollywood

The success of Sinners can serve as an opportunity to think and take lessons from…

4Mr Frank White
In Conversation: 4Mr Frank White Talks Sound, Identity, and Evolution of East African Afro-Swing Rap

“I’ve moved from the underground scene to a more commercial and global space, without ever…