Post Masonry – Style 1

Kyalami
Kyalami’s Renaissance: Paving the Way for F1’s Return to Africa

Hosting an F1 Grand Prix could inject hundreds of millions into the economy via tourism, broadcasting rights, infrastructure upgrades and hospitality services. By Tuka Letura  On Wednesday 18 June, the FIA (Fédération…

app
10 Must-Have Apps for University Students in Africa

Using any or all of these apps increases your chances of meeting assignment deadlines, efficiently managing your class schedule, submitting error-free research papers, and, most importantly, balancing academic life with personal life. …

Inside Job
“Inside Job” Review: Jacky Vike and Mammito Eunice Find Kenya’s Laugh Lines and Its Pain Points

The ability to toggle between levity and gravity lends Inside Job a rare authenticity: a Kenya made seen and made sincere, not despite the humor, but precisely because of it. By Frank…

Next Gen
“Next Gen” Review: Oskido Platforms Fresh Talents on New Album

Musically, Next Gen is a solid and enjoyable Amapiano album. Contextually, Oskido is a master guiding his students toward their own mastery. By Yinoluwa Olowofoyeku Oscar Sibonginkosi “Oskido” Mdlongwa (born 29 November…

Still The Mayor
“Still The Mayor” Review: Mayorkun’s Third Album Is a Reaffirmation of His Pop Status

Still The Mayor is, at its core, Mayorkun reminding us why he earned the title in the first place. By Abioye Damilare Samson Since 2016, when Mayorkun slipped into public consciousness with…

Taene
Nigerian Afro-Fusion Artiste, Taene, Set to Release New Single, “NUH”

Rooted in themes of self-awareness, boldness, and feminine power, “NUH” blends Afrobeats, R&B, Soul, and Pop into a catchy and emotionally resonant anthem. By Abioye Damilare Samson Emerging Nigerian Afro-fusion artiste, Taene,…

CKay The Second
“CKay The Second” Review: CKay Explores Intimacy and Vulnerability on Polished EP

CKay The Second is not just a reanimation of past sounds, but a confident offering that reaffirms CKay’s role in pushing the boundaries of what Afrobeats can sound and feel like. By…

Blinky Bill
Blinky Bill: East Africa’s Quiet Radical

“I wouldn’t necessarily say I’m an Alternative musician, rather a musician with an Alternative eye. I can fit into different spaces, but I also bring a distinct perspective to whatever I create”.…

Geoblocking
How Geoblocking and Cinema Scheduling Bias Undermine Distribution in Nollywood

It becomes clear that while geoblocking is a significant barrier to Nollywood’s global reach, cinema scheduling poses a more immediate threat to its domestic ecosystem. By Joseph Jonathan  There is always palpable…

Little Rot
“Little Rot” Review: Akwaeke Emezi’s Novel Confronts The Performance of Morality

Little Rot is an investigation into how society imposes rigid ideas of right and wrong, constructs we are expected to accept and embody without question. By Evidence Egwuono  Little Rot by Akwaeke…

My Mother Is a Witch
“My Mother Is a Witch” Review: Niyi Akinmolayan Explores Intergenerational Trauma in Provocative Drama

My Mother Is a Witch is one of Niyi Akinmolayan’s most decent endeavours, with strong performances from a leading cast that carries the emotional weight of the film, aided by the film’s…

Area Scatter
The Legend of Area Scatter: Enigmatic Musician or Misunderstood Individual?

Area Scatter’s life is proof that history has been replete with personalities operating on the minority margins of societal conventions about gender and sexuality, no matter how we try to deny their…