Fast forward to today, Afro-Gospel continues to thrive as a growing force connecting deeply with younger audiences all while dominating the zeitgeist.
By Abioye Damilare Samson
A few weeks ago, I stumbled on a video of people dancing to “Igwe” by the Afro-Gospel band, Midnight Crew, at Obi’s House, a popular Monday night party in Lagos hosted by DJ Obi at Hard Rock Cafe. It reminded me of how Afro-Gospel once gripped Nigeria’s music scene in the mid to late 2000s, when artistes like Dekunle Fuji, Infinity, Bouqui, Rooftop MCs, and Lara George were shaping a sound that was both spiritual and widely celebrated.
Fast forward to today, Afro-Gospel continues to thrive as a growing force connecting deeply with younger audiences all while dominating the zeitgeist. Through modern production, relatable lingo, slick flows, and unfiltered gospel messaging, a new generation of artistes is elevating the genre in bold and exciting ways. This year alone, Afro-Gospel’s success has been undeniable, with “No Turning Back” remix by Gaise Baba featuring Lawrence Oyor becoming one of the biggest songs in the country.
In this listicle, we spotlight 10 Afro-Gospel artistes pushing the genre forward in 2025, with bold sounds, clear messages, and undeniable momentum.
Anendlessocean
In 2023, Anendlessocean released “Gratitude”, a soulful anthem that quickly became one of the biggest Afro-Gospel songs of the year. As the year wound down, it was nearly impossible to scroll through Instagram or TikTok without hearing the track soundtracking New Year reflections, recap reels, and prayerful moments.
But for those who discovered him through that viral moment, Anendlessocean’s journey didn’t begin in 2023. He has been making music since 2015, officially entering the scene in 2018 with the release of “Falala”. His breakthrough came in 2020 with “Alakori”, a song that brought him into wider public consciousness and revealed his unique blend of soulful expression and spiritual depth.
Known for his angelic vocals, introspective writing, and subtle but intentional branding, Anendlessocean has continued to craft music that resonates deeply with younger listeners navigating faith and emotion.
His most recent 6-track EP, Sceptre, marked a shift from his earlier polygon-themed project titles, but it maintained the same artistic depth and spiritual honesty. In every release, Anendlessocean continues to raise the flag for the Afro-Gospel genre.
Victor Thompson
No one could have predicted what an American rapper like Gunna would sound like on an Afro-Gospel track, but in 2023, that moment happened. During his concert at the YouTube Theatre in Los Angeles, he brought out Nigerian singer, Victor Thompson, to perform “This Year”, their collaborative remix of Thompson’s viral hit. It was a surreal moment, one that not only thrilled fans but also pointed to the growing reach and limitless possibilities of Afro-Gospel.
Following the success of “This Year” and its international remix, Victor Thompson has continued to expand the genre’s impact. With over a million monthly listeners on Spotify and the release of his latest album, ROOTED, he’s proving that Gospel music rooted in African rhythms can resonate far beyond continents.
Gaise Baba
Many fans may have discovered Gaise Baba through his viral hit “Elijah Level”, but his career stretches far beyond that moment. Widely known as “The Culture Architect”, Gaise Baba has spent over a decade crafting music that is unapologetically Gospel but presented with urban flair and modern production.
His self-titled debut album, Gaise Baba, released in August 2011 under Sanctified Records, introduced him as a distinct voice with a delivery style that bridges generations. But Gaise Baba’s influence extends beyond the music. He is the founder of LightOut, an initiative that tours high schools, using music and art to support students’ educational, personal, and social growth. He also founded ARAMANDA, an Afro-Urban music and arts festival that connects young Africans to alternative Christian sounds and expressions.
Following the massive success of “Elijah Level”, Gaise Baba continued to push Afro-Gospel’s reach even further. His 2025 single “No Turning Back II” has become one of the year’s biggest gospel records, sparking dance trends and challenges across TikTok and Instagram.
Limoblaze
Limoblaze, born Samuel Onwubiko, is a Nigerian-born, UK-based, award-winning singer, songwriter, and musician whose music smoothly blends Afrobeats, Hip-Hop, and Gospel. Though he has been active in the music scene for several years, his major breakthrough came in 2022 with “Jireh (My Provider)”, a viral collaboration with Lecrae and Happi that introduced his sound to a global audience. What drew many in was his ability to fuse the Afro-Pop sound with the lyrical conviction of Gospel rap to create songs that feel equally at home in worship playlists and party settings.
In 2025, Limoblaze continues to push the Afro-Gospel sound forward with consistent releases and standout collaborations. One of his notable features this year is “Eternal” alongside Greatman Takit, a track that showcases his smooth vocals and spiritual energy. With each release, Limoblaze proves that Gospel music can be fresh, global, and still culturally relevant.
Bidemi Olaoba
Bidemi Olaoba stands out as one of the few Afro-Gospel artistes with a cult-like following, thanks to his infectious fusion of Highlife, Fuji, and Tungba rhythms, a sound popularised by Yinka Ayefele. Backed by a live band and powered by street-smart lingo, Bidemi’s music connects deeply with a younger audience, especially those drawn to praise that feels both traditional and catchy.
Known for his high-energy performances, Bidemi has taken his sound across several countries and continues to command large crowds. He also hosts an annual concert titled “In His Presence” and is currently on a nationwide campus tour under the same name, bringing live Afro-Gospel experiences directly to students.
If you’re looking for danceable gospel music that blends praise and worship with relatable lyrics, Bidemi Olaoba remains one of the genre’s most reliable go-to voices.
Greatman Takit
Greatman Takit is one of the most versatile voices in Afro-Gospel today. He is a singer, rapper, spoken-word poet, songwriter, and composer whose artistry spans multiple genres. He began his music journey in 2011 with his debut single “Ain’t Nobody”, a rap-infused declaration of his bond with God. The track later featured on his 2016 debut EP Wildfire, a fusion of Afro-Pop and Hip-Hop.
He followed it with two more projects, Energy (2021) and Commando (2022), made in close collaboration with Ko’rale, where he leaned into smoother, more melodic sounds, showing his range beyond fast-paced lyricism. In 2024, he collaborated with GospelOnDeBeatz on the joint project, Ghetto Gospel, an album that speaks directly to the streets using relatable language, lively production, and spiritually grounded lyricism.
So far in 2025, “Eternal”, his standout collaboration with Limoblaze, has emerged as one of the genre’s most celebrated tracks, solidifying Greatman Takit’s place as a key figure in the current wave of Afro-Gospel sound.
Prinx Emmanuel
Prinx Emmanuel’s journey into music began in church, but he did not start as a singer. He started as a drummer with no idea that he would one day become an artiste. His curiosity led him into music production, and along the way, he discovered a gift for songwriting and performance.
Although he had earlier been featured on Erigga’s 2019 album “The Erigma II” on the track “Head Pan”, it wasn’t until 2021 that he gained widespread attention with “Who Goes That Man”, a log-drum powered, street-infused gospel anthem that displayed his unique blend of humour, spirituality, and groove.
In 2023, he delivered his biggest hit yet with “Bigger (Odogwu)”, the record that cemented his place at the forefront of the Afro-Gospel movement.
Earlier this year, Prinx Emmanuel followed up with his debut album, According To Brother Nwachukwu, a project that blends faith, storytelling, and sonic experimentation. With every release, he continues to prove that gospel music can be joyful, streetwise, and deeply spiritual all at once.
Sounds of Salem
Sounds of Salem is a global prophetic band from The House of Salem International, led by Prophet Joel Ogebe. In 2025, they’ve been at the forefront of Afro-Gospel’s growing mainstream acceptance, bridging prophetic worship with modern African sounds.
Their album, Dominion, released earlier this year, marked a significant milestone for the band and the genre. It produced standout tracks like “We Will Be Many” featuring Lawrence Oyor and Moses Akoh, and “Promise Keeper” with Pastor Oche Ogebe, both of which have found wide resonance across congregations, campuses, and social platforms. It’s been a fantastic year for the group, as they continue to push and shape Afro-Gospel in their ways.
Moses Bliss
Moses Bliss is one of Nigeria’s most skilled and influential Afro-Gospel artistes. Although he started releasing music as far back as 2014 with songs like “God Is Real”, it was his 2019 hit “Too Faithful” that catapulted him into the spotlight and won him a loyal fan base across Africa.
Since then, Moses Bliss has continued to rise, performing alongside globally renowned gospel ministers like Benny Hinn, Pastor Chris, Sinach, Frank Edwards, and Tye Tribbett. In 2020, he won the LIMA Award for Best Music of the Year with “You I Live For,” further cementing his place in the gospel music scene.
His most notable Afro-Gospel entry to date is “E Dey Flow”, a catchy, joyful track that blends praise with dance-ready rhythms. In 2025, he released a new album titled “The Expression” that has been gaining attention among gospel listeners for its heartfelt messages and Afro-Pop-leaning production.
Ko’rale
With his soft, velvety vocals, Ko’rale is a breath of fresh air in the Afro-Gospel space. He first came into the spotlight in 2022 with the groovy, log-drum-driven hit “Commando” featuring Greatman Takit, a song that blended street bounce with spiritual fire. Since then, Ko’rale has released music with the confidence of an artiste who knows he’s here to stay. His most recent single, “Obichi”, is a heartfelt expression of love for God, delivered with the tenderness and lyrical style one would expect from an Afro-Pop love song, yet fully rooted in worship.
Ko’rale’s ability to merge soulful vocals, relatable language, and gospel truth places him firmly among the new wave of Afro-Gospel artistes redefining what the genre can sound like.
Abioye Damilare Samson is a music journalist and culture writer focused on the African entertainment Industry. Reading new publications and listening to music are two of his favourite pastimes when he is not writing. Connect with him on Twitter and IG: @Dreyschronicle