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What a Cancelled Lagos Derby Reveals About Nigeria’s Football Reform
“Son of Elvis” Review: Marcus Harvey Bares His Heart Across New Album
Ask Your Brothers. Ask Them Their Stories, the Stories of Other Boys. Ask.
Features & Essays
Ask Your Brothers. Ask Them Their Stories, the Stories of Other Boys. Ask.
Filmmaking Within the Frame of Neglect
What the Headies Awards Keep Getting Wrong: A Cursory Look at the 18th Edition Nominees List
Matt B: The Water Remembered Him First
Nollywood’s Political Unconsciousness and the Critic’s Quagmire
Who Needs the Government When You Can Tag Someone Else?
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Interviews
“Writing Is an Educational Tool to Showcase Complex, Unspoken Experiences”: An Interview With Merit Gogo-fyneface
Matt B: The Water Remembered Him First
“Hope is a Tool of Resistance”: In Conversation with Andy Mundy-Castle on “Shoot the People” and the Ethics of Bearing Witness
In Conversation with Zipporah Nyaruri on the Road Behind “Truck Mama”
Tribeca Festival 2026: In Conversation with Pietra Brettkelly and The Critics’ Raymond Yusuff on Making “Crocodile” and Rising Above Constraints
In Conversation: Jude Dibia Talks “The Quiet That Remains”, Love, and the Lives Literature Refuses to Overlook
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Film & TV
Venice 2026: “La Maison du Vent (House of the Wind)” Studies the Tragic Cost of Migration and the Loneliness of Old Age
“Alahun: The Weaver” Review: Dare Olaitan’s Yoruba Epic Has the Right Philosophy and a Screenplay That Takes Too Long to Find It
HollyShorts Film Festival 2026: “Woman Land” and “The Unnamed” Reflect on Female Identity and Vulnerability
Twelve First Films Later: What Did the First Features Project Actually Produce?
HollyShorts Film Festival 2026: “Lift Me Up”, “Mon Taxi” and “White Agbada” Express Different Shades of Identity, Spirituality, Memory and the Human Condition
“Love and Life” Review: Reuben Reng’s Debut Has Three of Nollywood’s Best and Doesn’t Know What to Do With Them
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92
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Music
“Son of Elvis” Review: Marcus Harvey Bares His Heart Across New Album
“STARLIFE” Review: Victony Refines His Sonic Toolbox on New Album
Afrocritik Music Spotlight: Storytelling Songwriting
What the Headies Awards Keep Getting Wrong: A Cursory Look at the 18th Edition Nominees List
Matt B: The Water Remembered Him First
“ALKEBULAN III: The Water Remembers” Review: Matt B Rounds Out Album Trilogy With Orchestral Flourish
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118
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VIDEOS
Welcome to our YouTube Channel
Books
An Odyssey of Small Lives: A Review of Famous Chukwuemeka’s “Many Ways to Die”
In Search of the Artist and His Craft: A Review of John Chinaka Onyeche’s “Fragments of Peace”
Small Change: Intimacy and Economy on the 2026 Caine Prize Shortlist
The Ordinary Affair of Being Nigerian: A Review of Jide Badmus’ “Dawn is an Open Wound”
“Writing Is an Educational Tool to Showcase Complex, Unspoken Experiences”: An Interview With Merit Gogo-fyneface
Where Are Nigeria’s Established Bestseller Lists?
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30
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Culture
Who Needs the Government When You Can Tag Someone Else?
Justice Needs an Audience: How Nigeria Turned Punishment Into Content
The Year So Far in African Literature: Talking Points of the Second Quarter of 2026
Promoting Valuable Culture: Why Corporate Funders Must Now Notice the Only Literary Festival in Southeast Nigeria
Is the African Literary Critic and the Institution of Criticism Under Attack?
Can Democracy Work With a Hungry Voter?
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
What a Cancelled Lagos Derby Reveals About Nigeria’s Football Reform
15 African Footballers to Watch in the 2026/2027 Season in Top Leagues Worldwide
Who Is Yan Diomandé? An Insight Into the €125 Million Most Expensive African Player of All-Time
CAF’s Non-Decision on FIFA Forward Enterprise Fits a Pattern
Analysis: The 2026 World Cup and Africa’s Ten-Minute Collapse
2026 FIFA World Cup: How Africa’s Representatives Shape Up
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Explainers
More Than a Face: Who Controls an Artiste’s Identity After a Brand Deal Is Signed?
Arthouse vs. Indie: What’s the Difference?
Why Nigerians Call Every Festival Film Arthouse
What Makes a Film Arthouse?
Why African Artistes Need to Think About Their Name, Image, and Likeness as Legal Assets
The Catalogue Lives On: What Happens to an Artiste’s Music After Death?
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Fiction & Poetry
“For Mama’s Boy” and Other Poems | By Ayiyi Joel
Mercury in Retrograde | Poem by Obongofon Etuk
“Roll Call at the Crumbling Girl’s High School” and Other Poems | By Tushar Sen
The Sufferer | Poem By Obongofon Etuk
“How Bodies Are Used as Storage Units in Sudan” and Other Poems | By Abigail George
Light Streams In | Short Story by Phodiso Modirwa
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