E-Pharmacies
WAFCON
Spotlight

Features & Essays

sexual violence
Dear Nollywood, Stop Using Sexual Violence as a Plot Device
African languages
Do African Languages Come From the Same Place?
Geoblocking
How Geoblocking and Cinema Scheduling Bias Undermine Distribution in Nollywood
Area Scatter
The Legend of Area Scatter: Enigmatic Musician or Misunderstood Individual?
Ngũgĩ wa Thiong’o
The Life and Political Imaginations of Ngũgĩ wa Thiong’o
Dreadlocks
What’s Behind Nigeria’s Fear and Criminalisation of Dreadlocks?

Interviews

Wingonia Ikpi
In Conversation: Wingonia Ikpi Talks Making “The Lost Days”, the First Features Project, and What’s Next
Maia Lekow
Maia Lekow And Christopher King Want To Make Films About Kenyan Women With A Strong Sense Of Agency
Amel Guellaty
“Making a Film Anywhere in Africa Is a Struggle”: In Conversation With Tunisian Filmmaker, Amel Guellaty, Director of “Where the Wind Comes From”
Uche Okonkwo
“Readers Will Bring All Kinds of Meaning to Your Work”: Uche Okonkwo, In Conversation with Afrocritik
Idowu Odeyemi
Idowu Odeyemi’s New Theory of Disgust: He Thinks What You Say Can Be Disgusting
Loud Urban Choir
Loud Urban Choir Is Redefining Choral Music in Afro-Pop

Film & TV

Unclaimed
“Unclaimed” Review: Biodun Stephen’s Psychological Drama Explores Interesting Themes but Falls Flat
Wingonia Ikpi
In Conversation: Wingonia Ikpi Talks Making “The Lost Days”, the First Features Project, and What’s Next
Maia Lekow
Maia Lekow And Christopher King Want To Make Films About Kenyan Women With A Strong Sense Of Agency
Matabeleland
“Matabeleland” Review: Nyasha Kadandara’s Documentary Contends With Zimbabwe’s Troubled Past
Amel Guellaty
“Making a Film Anywhere in Africa Is a Struggle”: In Conversation With Tunisian Filmmaker, Amel Guellaty, Director of “Where the Wind Comes From”
Ms. Kanyin
“Ms. Kanyin” Review: Jerry Ossaiʼs Wannabe Horror Flick is Forgettable

Music

Spotlight
Afrocritik Weekly Music Spotlight: Second Bridge Week
No Sign of Weakness
“No Sign of Weakness” Review: Burna Boy’s LP Is Technical, Polished, Yet Safely Played
Paradise Now
“Paradise Now” Review: Obongjayar’s Sophomore Album Is a Fitting Treatise on Self
Afro-Gospel
10 Artistes Leading the Afro-Gospel Sound in 2025
Spotlight
Afrocritik Weekly Music Spotlight: Bridge Week
Sweet Songs 4 You
“Sweet Songs 4 You” Review: Lasmid and Tml Vibez Combine Seamlessly on New Collaborative Album

VIDEOS

Welcome to our YouTube Channel

Books

When Love Visits
“When Love Visits” Review: Comfort Omovre’s Explores Love Through Conventional Romance Archetypes
Nairobi LitFest
Nairobi LitFest 2025: NBO Explores The Countercurrents of Knowing
The Parlour Wife
“The Parlour Wife” Review: Foluso Agbaje’s Novel Is a Vital Contribution to Historical Fiction
Uche Okonkwo
“Readers Will Bring All Kinds of Meaning to Your Work”: Uche Okonkwo, In Conversation with Afrocritik
Little Rot
“Little Rot” Review: Akwaeke Emezi’s Novel Confronts The Performance of Morality
Only Big Bumbum Matters Tomorrow
“Only Big Bumbum Matters Tomorrow” Review: Damilare Kuku’s Novel Addresses Body Politics, Biases, and Femininity

Culture

crime reporting apps
Can Crime Reporting Apps Increase Police Responsiveness in Africa?
wife vs mom
The Misogyny of “Wife vs. Mom” Hypotheticals and Why We Must Retire Them
African languages
Do African Languages Come From the Same Place?
app
10 Must-Have Apps for University Students in Africa
AI chatbots
Should We Be Having Deep Conversations With AI Chatbots?
satellite
Can Satellite Imagery Spot and Solve Africa’s Poverty From The Sky?

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
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Sports

WAFCON
WAFCON 2024 Quarterfinal Guide: Players to Watch and Our Predictions
WAFCON
WAFCON 2024: African Women’s Football Deserves Better Broadcast Coverage
Kyalami
Kyalami’s Renaissance: Paving the Way for F1’s Return to Africa
Club World Cup
Africa at the 2025 FIFA Club World Cup
African Football League
Has the African Football League Gone Ghost?
Unity Cup
Unity Cup 2025: New Squads, Old Rivalries, One Cause

Explainers

Serhou Guirassy
Serhou Guirassy: Against the Odds
Omoni Oboli
Omoni Oboli and Nollywood’s Dilemma With Copyright Infringement
Gangs of Lagos
Understanding Jade Osiberu’s “Gangs of Lagos” Court Ruling
Mercy Chinwo and EeZee Conceptz
Inside the Mercy Chinwo and EeZee Conceptz Fallout
Navigating the Business Side of Writing
Navigating the Business Side of Writing: What Every Author Needs to Know
How Budgeting Apps Empower Young Africans

Fiction & Poetry

two poems
“Knitting Grief” & “Conversations” | Poems by Pleasant Nneoma Stephen
two poems
Two Poems by Salihu Muhammad Ebba
FLOODWATER | Poem By Al Ameen Muhammad
The Boy Who Brought Balloons
The Boy Who Brought Balloons | Short Story by Maryam Abdulkarim
MIDNIGHTS
MIDNIGHTS | Fiction by David Agyei-Yeboah
Clan
Clan | Poem by Victor Obukata