Music

NO DAYS OFF
“NO DAYS OFF” Review: Kweku Smoke Reflects on Hustle and Ambition on New Album

As it stands, NO DAYS OFF offers a substantial amount of Smoke’s perspective but not…

SUN SHERIF
“SUN SHERIF” Review: Black Sherif Embraces New Horizons on EP

SUN SHERIF does not ask us to forget the darkness that came before it. Instead,…

Son of Elvis
“Son of Elvis” Review: Marcus Harvey Bares His Heart Across New Album

Son of Elvis is a powerful introduction to an artiste with a remarkably broad and…

STARLIFE
“STARLIFE” Review: Victony Refines His Sonic Toolbox on New Album

STARLIFE is a compelling demonstration of an artiste learning how to curate his own established…

Spotlight
Afrocritik Music Spotlight: Storytelling Songwriting

Afrocritik Music Spotlight: Storytelling Songwriting By Yinoluwa Olowofoyeku Hey everyone, and welcome back to another…

Headies
What the Headies Awards Keep Getting Wrong: A Cursory Look at the 18th Edition Nominees List

If a category can be reopened and reshuffled hours after publication, what confidence does anyone…

Matt B
Matt B: The Water Remembered Him First

“When they found my living ancestral line, I said that it’s not enough for me…

ALKEBULAN III: The Water Remembers
“ALKEBULAN III: The Water Remembers” Review: Matt B Rounds Out Album Trilogy With Orchestral Flourish

ALKEBULAN III: The Water Remembers is an extremely colourful, vibrant and cinematic sonic experience that…

Starrgirl
“Starrgirl” Review: Ayra Starr Cements Star Girl Status with New Album

Starrgirl elevates Ayra Starr to the forefront of her peers, shifting the narrative from that…

Oriadé
“Oriadé” Review: Davido Showcases Hitmaking Mastery on New Album

Oriadé remains a highly energetic and enjoyable listen because Davido simply knows how to make…