Music

No Sign of Weakness
“No Sign of Weakness” Review: Burna Boy’s LP Is Technical, Polished, Yet Safely Played

Burna Boy will always exude creativity, but on No Sign of Weakness, the boundaries he…

Paradise Now
“Paradise Now” Review: Obongjayar’s Sophomore Album Is a Fitting Treatise on Self

On Paradise Now, Obongjayar invites us to create our paradise in the present, recognising that…

Afro-Gospel
10 Artistes Leading the Afro-Gospel Sound in 2025

Fast forward to today, Afro-Gospel continues to thrive as a growing force connecting deeply with…

Spotlight
Afrocritik Weekly Music Spotlight: Bridge Week

Afrocritik Weekly Music Spotlight: Bridge Week By Yinoluwa Olowofoyeku Hey there, auditory adventurers!  Hello family,…

Sweet Songs 4 You
“Sweet Songs 4 You” Review: Lasmid and Tml Vibez Combine Seamlessly on New Collaborative Album

Sweet Songs 4 You is a wildly entertaining ride: warm, textured, romantic, and confidently experimental.…

Captain
“Captain” Review: BNXN’s Sophomore Album Is a Steady Voyage Through a Familiar Soundscape

Ultimately, Captain doesn’t present a reinvention of BNXN; instead, it leans into what he already…

Lagos Lover Boy
“Lagos Lover Boy” Review: Ric Hassani Crafts a Cohesive Portrait of Urban Romance

Lagos Lover Boy is a coherent and thoughtfully constructed body of work. It shows an…

Spotlight
Afrocritik Weekly Music Spotlight: Easing In

Afrocritik Weekly Music Spotlight: Easing In Yinoluwa Olowofoyeku Hello, family.  Welcome back to your favourite…

Prince of the Street
“The Prince of the Street” Review: Ayo Maff’s Strongly Themed Debut Still Needs More Range to Soar

The Prince of the Street is a ground-setting debut positioning Ayo Maff as a leading…

GE3
“GE3 (The Beginning)” Review: A-Q Closes His Trilogy With Precision and Purpose

With GE3, A‑Q does more than complete a trilogy; he cements a legacy. This final…