Music

Barely Legal
“Barely Legal” Review: Qing Madi Hits Full Stride on New EP

Barely Legal consistently returns to the same central pillar: vocal performance. Vocal power, emotional expression,…

Spotlight
Afrocritik Music Spotlight: May on the Mind

Afrocritik Music Spotlight: May on the Mind By Yinoluwa Olowofoyeku Greetings once again to the…

Map of Her Shadow
“Map of Her Shadow” Review: Anaïs Cardot Dazzles Softly on Sophomore EP

Map of Her Shadow is an impressive achievement on its own terms, but it is…

Before The Morning Light
“Before The Morning Light” Review: Johnny Drille Expands His Prowess on New Album

What remains unmistakable on Before The Morning Light is Johnny Drille’s continued commitment to the…

4 Da Streets
“4 Da Streets!” Review: Uncle Waffles and Royal MusiQ Connect With Amapiano’s Roots on New Collaborative Project

4 Da Streets! highlights the curatorial strengths of Uncle Waffles and Royal MusiQ, who successfully…

DJ
Who Are the DJs Really Soundtracking the Everyday Lives of Nigerians?

Streaming culture becomes the dominant lens for understanding music success, but it captures visibility after…

The Game Needs Us
“The Game Needs Us” Review: BNXN and Sarz Reaffirm Their Creative Chemistry on a Cohesive Joint EP

For all of its lofty framing and self-assurance, The Game Needs Us is a well-executed…

Sweet Boy
“Sweet Boy” Review: Kuami Eugene Delivers Consistency on New Project

Sweet Boy is an album deeply centred around vocal performance, and on that front, it…

Spotlight
Afrocritik Music Spotlight: April Mega Spotlight

Afrocritik Music Spotlight: April Mega Spotlight By Yinoluwa Olowofoyeku Greetings to all the fearless seekers…

Testimony of Grace
“Testimony of Grace” Review: Ice Prince Returns Wiser, Quieter, and More Purposeful

Testimony of Grace is compelling because it reveals Ice Prince planting his flag firmly in…