African cinema can be regional, sure, just like any other cinema. But it is also…
Perhaps The Almajiri’s greatest achievement is that it refuses simplistic answers to deeply complicated questions.…
Nollywood is mostly at its best when it deploys humour to laugh at retrograde values…
Agesinkole: King of Thieves 2 is an unusual sequel. It succeeds more as an act…
Independent cinema tells us about the conditions under which a film was made. Arthouse cinema…
The truest adaptation is not the most faithful one but the most alive one. Remi…
The Nigerian usage of arthouse is less an error than an adaptation. It is a…
If history demonstrates anything, it is that arthouse has never been a label with rigid…
“I just think it is vitally important not to forget the past if we want…
On Different Grounds has the character of a Nollywood film elevated by the spirit of…