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AMAA 2021 NOMINATIONS: A GUIDE TO THE NOMINATED FEATURE FILMS FROM NOLLYWOOD

By Vivian Nneka Nwajiaku On Friday, the 26th of October, 2021, at the Ebony Life…

Hair Fetish Has Come a Longer Way Than We Know. It Is More Complex Than We Assumed

Today, the hair industry, according to Statista, is worth over $94 billion, projected to be…

Motion

MOTION By Oladosu Michael Emerald “If you control the resonance frequency of an object, you…

Buju’s “Sorry I’m Late” is an Unapologetic Portrait of Potentials

While juggling the terrains of mellowed Afro-fusion, Buju creates a soulful bowl of optimistic and…

Animal Rights in Nigeria are Undervalued

While arguably many African countries have seemingly refused to recognise animal sentience and the preservation…

Egedege: Igbo Music is now a Rave in Pop Culture, and this Time, Millennials are Behind It

Egedege, has returned to the mainstream of Nigerian music, now as a new, contemporary genre……

Chibundu Onuzo’s “The Spider King’s Daughter” Fails Tragically in its Literary Bidding

Chibundu Onuzo’s “The Spider King’s Daughter” takes the form of didacticism that midwifed the Onitsha…

Azanti: A Sonic Diary of Azanti

After backing up for singers like Mr. Eazi, contributing to a song on Joeyboy’s debut…

Emotions, Depth, and a Stellar Cast Take Front Row in Daniel Ademinokan’s “Gone”

Emotion is clearly the driving force of this film — pure and genuine — held…

NSNV: An Exhilirating Intro to Seyi Vibez

By Emmanuel Daraloye Seven years ago, Balogun Afolabi Oluwaseyi, professionally known as Seyi Vibez officially…