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D’banj Reinforces His Legend on “Stress Free, Chapter 1” Album

On “Stress Free,” D’banj’s fifth solo studio album, he reinforces his legend status with minimal…

Abdulrazak Gurnah’s Nobel Prize Win and the Politics of Storytelling

It only seems that whatever work is done, the academy holds its right to certain…

Women and the Myth of Vagina Fragrance

At the end of the day, it is perhaps okay if the vagina just smells…

Seven Music Freestyles That Will Make You Swoon

By Fatiat Saliu In present times, social media has served as a fodder for up-and-coming…

Teego’s “Koncentration” is a Well-Delivered Afro-Pop EP

The biggest strengths of the EP are the great singing and impeccable production. It is…

How Waje Has Gotten Less Flowers Than She Deserves For Her Music

The quality of Waje’s music has never been in doubt, and she has never gone…

Kunle Afolayan’s Adaptation of Sefi Atta’s “Swallow” Could Have Been More Powerful

Swallow is a historical drama, but its story is not dependent on any significant event…

Generation Z Dominates 2021 Nigerian Music: A Review of Oladapo’s “Blind”

…with a running time of 14 minutes, the replay value of Blind exponentially increases. By…

The Call to Greater Understanding: A Review of Ukamaka Olisakwe’s “Ogadinma: Or Everything Will Be All Right”

…in Ogadinma, Olisakwe reflects back at Nigeria as well as weaves a story around its…

Review: Tems’ Sophomore EP “If Orange Was A Place” Is a Delightful Listen

By Chinonso Ihekire   On this sophomore release, the musical maverick stretches her musicianship, while…