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Review: Ria Sean Exudes Confidence On Sophomore EP “Fluid”

By Chinonso Ihekire                                                                                 Draped in sexy red lingerie and matching heels, she stands on…

Has The Concept Of Tolerance In Marriage Become Old-Fashioned?

By Joshua Chizoma Many people believe that there is a higher divorce rate now than…

Movie Review: Kemi Adetiba’s “King Of Boys: The Return Of The King” Is Enjoyable, But It Lacks Bite

By Vivian Nneka Nwajiaku King of Boys, Kemi Adetiba’s crime drama, made great impact on…

“African Filmmakers Need To Retain Their Original Form Of Storytelling” – Akinola Davies Jr, Director Of “Lizard”

“The lizard that jumped from the high Iroko tree to the ground said he would…

#Throwback Movie Review: Moses Inwang’s “Body Language” Is Captivating, Suspense-Laden Drama

By Jerry Chiemeke Released in 2017 by the Royal Academy in collaboration with ROK Studios, Body…

Review: Oxlade Serves Up Infectious Melodies In New EP “Eclipse”

By Chinonso Ihekire  Oxlade has a penchant for infectious melodies, and with “Eclipse”, he blinds…

Seyi Babatope’s “When Love Happens” And Nollywood’s Approach To Romance Stories

By Michael Chiedoziem Chukwudera Many Nollywood films of today, especially the ones made available for…

Why Are We So Obsessed With The Personal Lives Of Celebrities?

By Joshua Chizoma Like hawks hovering above chickens waiting for the right moment to swoop,…

Album Review: Omawumi Sounds Self-Assured On “Love Deep High Life”

By Emmanuel Daraloye  She may not always make the headlines these days, but it’s hard…

Lancelot Oduwa-Imasuen’s “August Meeting” And The Cultural Relevance Of An Annual Convergence

By Michael Chiedoziem Chukwudera One of the finest achievements of Nollywood over the decades is…