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Review: A.A.A’s Self-Titled EP Is An Emotive Body Of Work – And Brymo Hits All The Right Notes

By Adeola Juwon It was past 2am on a windy night, my MP3 Bluetooth speaker…

Movie Review: Kathryn Fasegha’s “Two Weeks In Lagos” Is Forgettable Schlock

It is commonplace to find that romantic films are set in big cities, and when…

From Port Harcourt To The World: Meet 1DA Banton, The Former Church Drummer Whose Sound Emphasises The Good Life

By Fatiat Saliu The city of Port Harcourt, situated in the Southern region of Nigeria,…

Blackstar Film Festival: “We Wanted To Tell A Story About Nigeria” – Arie And Chuko Esiri, Directors Of “Eyimofe”

For Nigerian filmmakers Arie and Chuko Esiri, there has been a lot to smile about.…

Review: Victor AD Provides A Lifebuoy For His Career With New EP “Nothing To Prove”

By Emmanuel Daraloye There are a number of Nigerian artistes whose trajectory leaves you questioning…

Gospel Chants And The Evolution Of Worship Music In Nigeria

By Joshua Chizoma In the course of history, music has often been deployed by religious…

The Ikenga Deity, A Conduit For Igbo Communal Philosophy And Individual Reflection

By Michael Chiedoziem Chukwudera The worldview of the Igbo people on masculinity is strongly linked…

Blackstar Film Festival: Renee Maria Osubu’s “Dear Philadelphia” Is A Song Of Hope For Black Communities

By Jerry Chiemeke For decades, black communities have been mired in socio-economic misery, and their…

Blackstar Film Festival: Susy Pena’s “This Is Forever” Examines Identity, Immigration And Family Bonds

By Jerry Chiemeke For immigrants who slug it out in first-world countries, life can be…

Movie Review: Femi Ogunsanwo’s “Finding Hubby” Defies Stereotypes, But Falls Just Short Of Being Memorable

By Vivian Nneka Nwajiaku Literary adaptations are not exactly Nollywood’s stock-in-trade. On the few occasions…