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Afrocritik Best 25 Music Albums of 2022

By Emmanuel Daraloye, Chinonso Ihekire, Yinoluwa Olowofoyeku, Hope Ibiale, Fatiat Saliu, Omowale Bokinni, and Owanate…

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Stream Farms: Should Ratings be the Only Relevant Metric Used in the Music Industry?

Success means a lot of things to different artistes, and can be marked at different…

An Unlikely Relationship Throbs in the Heart of Cairo in Noor Naga’s “If An Egyptian Cannot Speak English”

Naga’s greatest strength is in capturing the excruciating detail that attends the gradual atrophy of…

Nétonon Noël Ndjékéry Wins 2022 Prix Hors Concours

Ndjékéry wins the 7th edition of the prize for his novel, There is no Rainbow…

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Eleven Movies Coming to your Screens this December and Beyond

By Blessing Chinwendu Nwankwo What is the holiday season without movies? Although Nollywood did not…

“Nafsi” Review: A Surrogacy Gone Wrong Jeopardises Relationships in Kenyan Feature

Nafsi is a slow but chilling drama about friendship, societal standards, power dynamics in romantic…

5 African Writers Selected for AU20 “Our Africa, Our Future” Writing Residency

The five selected writers were culled from, “an overwhelming number of applications,” the judges noted.…

Safal-Cornell Kiswahili Prize Winners Set to Speak at the Institute for African Development

The three winners will be discussing “poetry, travel and Kiswahili intergenerational transcendence.” By Editor Three…

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Is Africa Commemorating Its Heroes Enough?

Africa must begin to choose its own heroes, heroes who are not determined by the…

Strongman Pays Homage To His Root on “Buokrom Boy” EP

As a mark of respect, he names this EP after his place of birth, Buokrom,…