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Is Artistic Cross-Carpeting Beneficial in the Long Run for Black Artistes?

Artistic cross-carpeting is a dicey undertaking, but as there are no reward without risk, it…

The Center for Fiction Honours Wole Soyinka with Lifetime of Excellence in Fiction Award

The event will be held at 6:30 pm on Tuesday, December 6th at Cipriani 25…

Tunde Ososanya’s Second Collection Set for UK Publication in 2023

Lagos, Life and Sexual Distraction is scheduled for release on April 6th, 2023. By Editor…

afrocritik, Music Review- Hillzy- singer- producer- songwriter In the Building- new album
Hillzy Shows Sonic Range on “In the Building” Album

Hillzy’s In the Building is his first genuine step forward, and probably his best recording…

2022 Toyin Falola Prize Shortlist Announced

The Toyin Falola Prize shortlist was drawn from a longlist of ten writers announced at…

On “THE4MULA,” Blxckie Gets Lost in a Sea of Thematic Monotony

Monotony remains the keyword on this album. The whole repetition of the grass to grace…

“The Woman King” Review: Revisionist History in an Otherwise Excellent Hollywood African Historical Epic

The Woman King builds a world that looks very African, so much so that it…

Wendy Shay
Wendy Shay Meanders on Mediocre “Enigma” EP

Enigma is an immensely average EP. While none of the songs is completely bad, a…

Hausa International Book and Arts Festival Runs December 1st to 3rd, 2022

This year’s edition of the festival aims to use virtual technology in exploring, “language and…

Khadija Abdalla Bajaber’s “The House of Rust” is a Story of Myths, Fantasies and Quests

The House of Rust is a novel of many seasons. Bajaber’s slippery narration is telling,…