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Kenyan Writer, Idza Luhumyo, Wins 23rd AKO Caine Prize for African Writing

By Editor Kenyan writer, Idza Luhumyo, has been announced winner of the 2022 AKO Caine…

Omah Lay Blossoms On “Boy Alone” LP 

From the opener to the last track, Omah Lay tells appropriately-arranged stories of struggle, triumph,…

Chinua Ezenwa-Ohaeto: The Shape of Dreams and Memories

His idea of fame may have metamorphosed, but with his poetry, Chinua is charting new…

“The Blood Covenant” Review: A Familiar but Interesting Anti-Money Ritual Film

Gambo’s film is familiar but interesting. It’s didactic but not preachy or judgmental. And as…

The Nigerian Comedy Industry is in Need of Structure and International Exposure

Despite the rich history of Nigerian comedy, which featured acts like Ali Baba, I Go…

“Prophetess” Review: Niyi Akinmolayan Dares to Merge Religion and Farce

The movie further exposes the relationship between the gambler and the betting company, as well…

With “Collector of Memories,” Joshua Chizoma is Creating Identities

Chizoma is inspired by his environment, and his writings become a means to communicate with…

Jewel
“Jewel” Review: A Quiet Reminder of the Continuing Impacts of South Africa’s Sharpeville Massacre

For a film about the unforgettable trauma of a tragic historical event, Jewel feels less…

“Love Damini” is a Cathartic Epistle From Burna Boy 

Love Damini falls short of Twice As Tall. It is not as stately as African…

Fire
Candy Bleakz’s “Fire” EP is a Mid Debut

Fire is a one-dimensional project. Rather than show her sonic diversity, Candy Bleakz seems to…