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In “Phases,” Moonchild Sanelly Stands For Women

For Sanelly, who is arguably one of South Africa’s most controversial music queens, having a…

“Breaded Life” Review: Biodun Stephen Writes and Directs to Perfection a Twist of Fate

With more tear-jerking moments than the title ;breaded life prepares us for, the movie leaves…

The Miles Morland Foundation Scholarship Opens July 1st 2022

By News Editor One of Africa’s most prestigious annual creative writing grants, the Miles Morland…

From Hood Boy to Billionaire Dreams, What Does Jeriq’s Rise Represent for the Nigerian Trap Culture?

Jeriq has come to represent, for the streets of Iyoo, what Nas represented in the…

democracy day
Marking Democracy Day: 5 Films about Nigeria’s Democracy (And Where to Find Them)

Film has always been an important avenue for social and political commentary. Nigerian politics can…

falz
Falz’s “BAHD” is a Visionary And Eclectic Return

On BAHD, Falz collapsed the ethos of his previously released projects into one; nevertheless, it…

Female-Engineered Domestic Violence is as Wrong As its Gender Flipside

People are unlikely to think about the possibilities of a man being a victim of…

charge and bail
“Charge and Bail” Review: Inkblot’s Courtroom Drama is a Legal Comedy in Every Sense

What Charge and Bail really is, is a legal comedy. And I mean that in…

Afrocritik’s Joshua Chizoma, and Four others Shortlisted for 2022 AKO Caine Prize

By Michael Chiedoziem Chukwudera Joshua Chizoma, winner of the 2020 Awele Creative Trust for fiction…

The “Umuada” is Striking Newer Chords in Cultural Dynamism and Feminism in Igboland

As a result of globalisation, the Umuada has broken into units and expanded all across…