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Basketmouth Makes a Triumphant Return on Horoscopes

If Yabasi was the preface, then, Horoscopes should be regarded as the triumphant foreword to…

BNXN: A Smart Move, Or Yet Another Fiasco?

Long before BNXN, artists all over the world have grown to avoid changing names in…

Head Over Bills Review: Of Wasted Potentials and Squandered Opportunities

Perhaps, a story like this one would be better suited to a television series. But…

Why the Eastern Nigerian Music Industry is Falling Short

While Nigerian music has evolved through several stages and gone global, the eastern Nigerian music…

Rema Scintillating Visuals for Calm Down Teases Fans Ahead of New Album

Calm Down is a very enjoyable video to watch, with a lot of beautiful clips…

Tribalism in Africa: a Tool for Charging Political Agenda

Tribalism in Africa has played out so long in history and continuously that it even…

Experiencing Theatrical Greatness with Bolanle Austen-Peters: Fela’s Republic and the Kalakuta Queens

Fela’s Republic and the Kalakuta Queens, a Bolanle Austen-Peters production of 2017, tells the story…

Dinner at My Place Review: In Kevin Luther Apaa’s Rom-Com, Romance Is as Important as Comedy

Dinner at My Place is a movie that knows that it’s being ridiculous but revels…

Is Theatre Still Alive in Nigeria? Joshua Alabi’s Journey as a Theatre Practitioner in Nigeria

…Joshua Alabi has taken the mantle of leadership as a theatre practitioner in Nigeria, hoping…

On Adekunle Gold’s ‘Catch Me If You Can’ Album, The Artiste Races Deeper For Evolution

Adekunle Gold’s ‘Catch Me If You Can’ is a statement record, with high replay value,…