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Portable Omolalomi: A Confused Soul Or an Eccentric Musician?

Since the rift which later degenerated to a fallout with his promoter, Kogbagidi, Portable’s management…

Vaillante Review: The Lives of a Child Bride and a Young Activist Intertwine in UNICEF’s Important Miniseries

Vaillante follows the intertwined stories of two female protagonists and their painful experiences with child…

2023 Elections: Nigeria’s Choice of President Should Be Based on Ability, Not Gender

The contribution of women is unequivocally needed to build a more prosperous, just and peaceful…

Rancor Movie Review: An Unfit Piece for the Nigerian Cinema

The problem is not the movie trying to incorporate so many unnecessary acts, but the…

Adultery Scandals: How Immune are we to the Straying Net of Infidelity?

Adultery scandals has become a rather usual reality today, and people should therefore not be…

NFT for African Artists and Why They Should Matter

For years, we have had a definitive view of African art; it is supposed to…

Nwanyi Ocha: on the Controversies Surrounding the Idea of a White Igbo Commissioner

Progressive countries have never been known to sacrifice expertise in the altar of fanfare. A…

Flora Nwapa: the Lesson on Artistic Endurance

What Flora Nwapa’s writing lacked in artistry, she made up for with the purpose and…

Fave’s Debut EP, Riddim 5, Solidifies Her Artistry

After strutting the airwaves and dominating parties in 2021, she returned with a project two…

For Maria Ebun Pataki Movie Review: A Remarkable Telling of a Rarely Told Story

This is a film that could easily have become repetitive, going in circles as it…