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Salzburg Africa Film Day 2024
Salzburg Africa Film Day Set to Spotlight Two Nigerian Films

All the Colors of the World are Between Black and White and Bravo. Burkina! will…

“No Overthinking” Review: Savara’s New Album is a Well-Crafted Collection
“No Overthinking” Review: Savara’s New Album is a Well-Crafted Collection

No Overthinking is a well-crafted collection of songs whose distinctive and entertaining soundscapes and lyrics…

Amvca 2024 The Genius Designers Of The Stunning Outfits| Afrocritik
AMVCA 2024: 7 Designers Whose Outfits Graced the Red Carpet

These stylists go out of the box, investing months of hard work to curate the…

Femi Kayode Shortlisted for the 2024 CWA Daggers Award

Femi Kayode is nominated in the Ian Fleming Steel Dagger category. By Hope Ibiale The…

AMVCA 2024: The Year the Award Ceremony Attempted to Get It Right

Possibly, in years to come, we might look back, barring the C. J “Fiery” Obasi’s…

8 African Writers Nominated for the 2024 Locus Awards

The Locus Awards winners will be announced on June 22, 2024. By Hope Ibiale African…

“Water & Garri” Review: Meji Alabi’s Directorial Debut Feature Offers Scintillating Visuals But Doubtful Storytelling

Water & Garri provides evidence for the wide range of imaginative talent inherent in Nigeria’s…

“Momiwa” Review: Family is Redefined in the Biodun Stephen-Directed Drama

Momiwa beautifully illustrates that the true essence of family lies in the sincere efforts and…

“Mombasa’s Lover Boy” Review: Caleb Awiti Delivers Another Slow Jam LP

Awiti’s Neo-Soul positively conforms to contemporary attitudes and sensibilities, but the songs in Mombasa’s Lover…

“Postcards” Review: Hamisha Daryani Ahuja’s Series Stacks the Pile of Poorly-Contrived Nollywood Productions

Rarely does one witness a gathering of filmmakers — from actors to editors to writers,…