The Editor

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The Machine Is Coming
“The Machine Is Coming” Review: Odumodublvck’s New Project Is a Statement and a Warning

The Machine Is Coming is quite a satisfactory output from a rapper who has set…

Viva Lavida
“Viva Lavida” Review: Joeboy Examines Love and Life on Expressive New Album

Like most noteworthy projects of any kind, Viva Lavida is not a one-man show. The…

South African Film Festival
The South African Film Festival Returns in May for 2025 Edition

Selected films for the South African Film Festival will be made available through in-cinema screenings…

Ackamoor
Idris Ackamoor Teams Up with Danny Glover & Rhodessa Jones on “Artistic Being”

The performance featured a blend of new and classic works by Idris Ackamoor and his…

cyber insurance
Why Cyber Insurance Is Crucial for Companies

Hackers often target companies, and when the criminals succeed, organisations risk losing money and customer…

AMVCA
The Biggest Snubs and Surprises of the 2025 AMVCA Nominations

With the awards set to take place on May 10th, the debate over what the…

Adetutu David Collins
The Abstract Motions in Adetutu David Collins’ Art

Adetutu David Collins’ work, whether digital or acrylic media, are instances of abstract expressionism whose…

Finding Me
“Finding Me” Review: Funke Akindele’s Mistitled Dramedy Struggles With an Identity Crisis

Finding Me does not know what it wants to be. Its tone is chaotic, the…

BlownBoy Ru
“Blownboy Ru” Review: Ruger’s Sophomore Album Stays True to His Afro-Dancehall Roots

BlownBoy Ru is a tightly knit sophomore effort that stretches Ruger’s ambitions without losing sight…

The Naming
Chinua Ezenwa-Ohaeto Set to Release Forthcoming Poetry Collection, “The Naming” This December

The Naming, which will be published by the University of Nebraska Press as part of…