The Editor

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The Feast
“The Feast” Review: Falz Blends Different Soundscapes Into His Most Varied Project Yet

There’s a temptation to call The Feast Falz’s most complete album. And in a sense,…

Afrocritik
Afrocritik Turns Four: Still Projecting Africa, One Story at a Time

This past year, we’ve deepened our commitment to quality, refining our editorial voice, expanding our…

Ngũgĩ wa Thiong’o
The Life and Political Imaginations of Ngũgĩ wa Thiong’o

Ngũgĩ wa Thiong’o passed away at the ripe age of 87 as a towering figure…

Red Circle
“Fortune Favours the Bold”: In Conversation With the Cast and Crew of “Red Circle”

“I approached Red Circle as ‘What would I want to see in another person’s film?…

The Annual Film Mischief
The Annual Film Mischief Calls for Submissions for 2025 Edition Themed “Reclaiming Self”

Now in its fourth year, The Annual Film Mischief has adopted the theme “Reclaiming Self”,…

The Party
“The Party” Review: Where’s the Sleuthing or Mystery in This Nollywood Whodunit?

The Party does not have the sleuthing, the intrigue, or the eccentricity that makes murder…

Naomi Oye Ohene Oti
Naomi Oye Ohene Oti Named Winner of 2025 Aster Guardians Global Nursing Award

The recognition, which comes with a $250,000 cash prize, honours her outstanding dedication and impact…

The Boy Who Brought Balloons
The Boy Who Brought Balloons | Short Story by Maryam Abdulkarim

There are some faces that fade into oblivion. You forget them; their structures, their voices,…

MTV Shuga Mashariki
“MTV Shuga Mashariki” Review: The New Shuga Iteration Has A Shiny Surface With A Hollow Core

MTV Shuga Mashariki risks reducing a once-revered production to a shadow of its former self,…

Dreadlocks
What’s Behind Nigeria’s Fear and Criminalisation of Dreadlocks?

More importantly, the stigma associated with dreadlocks shows favoritism and protection of colonialist culture and…