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Still from With Difficulty Comes Ease
“With Difficulty Comes Ease” Review: Korede Azeez’s Film Is a Masterful Blend of Art and Heart

With Difficulty Comes Ease is a true cinematic piece that breaks out of the usual…

Panel discussion at the second edition of the Umuofia Arts and Book Festival
Art, Culture, and Community: The Spirit of the Second Edition of the Umuofia Arts and Books Festival

There are moments that could never be captured completely in words. The second edition of…

Purple Doesn't Exist
“Purple Doesn’t Exist” Review: A-Q’s Experience Serves As The Backdrop For A Poetic Prowess

A-Q’s Purple Doesn’t Exist marks his transition from being a proficient emcee to a major…

Lungu Boy
“Lungu Boy” Review: Asake’s Sonic Leap Stumbles on Thematic Cohesion

Lungu Boy struggles to present a cohesive portrayal of Asake’s journey; while it seeks to…

Chike
The Creative Pulse of Chike: An Artiste’s Narrative

“I feel different things when I make music, and I try to squeeze them into…

A cross-section of albums utilising an album rollout
The Power and Essence of Album Rollouts

In the face of the hype created around singles in the internet age, good album…

Kcee
In Conversation: Kcee Talks “Mr. Versatile”, Culture, and the Art of Reinvention

“Creating this album was a way to remind both my old and new fans of…

Losing Lerato 2
“Losing Lerato 2” Review: Zolani Phakade’s Sequel Is an Underwhelming Outing

Even when the acting is largely underwhelming, one can still admire Losing Lerato 2’s botched…

Wonu Osikoya
Wonu Osikoya Set to Release Debut Documentary, “Grime, Glory & Afropop”

Wonu Osikoya’s Grime, Glory & Afropop will be released in three parts on YouTube. By…

Self-driving cars
Why Africa Isn’t Ready for Self-Driving Cars Despite the Increasing Hype

Despite their potential advantages, Africa’s unique environment does not exactly embrace the advent of self-driving…