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Nigeria Cinema Day
Nigeria Cinema Day and the Marketing Hurdles Holding Back Nollywood

Beyond the fanfare, Nigeria Cinema Day revealed an untapped potential for cinema culture in Nigeria.…

Original Psalms
Toby Abiodun’s “Original Psalms” Is a Poet’s Lyrical Riff on Love and Self-Understanding

Original Psalms is remarkable for the punchy brevity of its episodes, which goes directly to…

BudgIT, a civil organisation platform
How Civic Organisations in Nigeria Are Making the Public Sector More Transparent With Technology

To reinvigorate the people’s interest in the public sector, various civic organisations are leveraging technology…

DFMI
DFMI Opens Call for Animation Filmmakers for the 16th Annual DFM Pitch and Finance Forum

The DFMI will select approximately 8 official animation projects in development to present to a…

We Were Girls Once
“We Were Girls Once” Review: Aiwanose Odafen’s Novel Explores Human Flaws and the Enduring Strength of Friendship

Just as a contemporary novel, We Were Girls Once does not eliminate itself from the…

GTCO Fashion Weekend
Size Bias on Our Runways: How Inclusive Are Fashion Competitions and the Industry?

To be fair, the fashion industry—despite its talk of creativity and inclusivity—largely remains trapped in…

Love/Hate Pt. 2
“Love/Hate Pt 2” Review: Xenia Manasseh’s Sophomore Album Is Proof of an Artistic Refinement

On Love/Hate Pt 2, Xenia Manasseh blends themes of love and self, allowing the two…

African albums of the 2000s
20 Iconic African Albums That Defined the 2000s

More than two decades on, we look back on a golden era of our history,…

The Younger Me
“The Younger Me” Review: Dr Soul Makes a Grand Sonic Statement With New EP

The Younger Me is a remarkable project that draws from various aspects of Dr Soul’s…

Sabi Wu
Sabi Wu Is East Africa’s Best Kept Secret

“My sonic identity is not predefined; rather, it evolves as I grow as a musician…