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Hilda Baci
Hilda Baci Sets Guinness World Record for Largest Serving of Nigerian Jollof Rice

Hilda Baci, who first gained global recognition in 2023 with her marathon cook-a-thon, once again…

Zamo Mkhwanazi
TIFF 2025: In Conversation With Zamo Mkhwanazi, Director Of “Laundry”

“The notion of resistance always having to be loud, glorious, and heroic comes from the…

The Serpent’s Gift
“The Serpent’s Gift” Review: Kayode Kasum’s Film Is Undone by Shallow Cultural Detail

If The Serpent’s Gift had one lesson for Nollywood, it would be that cultural truth…

Healers Chapel
“Healers Chapel” Review: Wizard Chan’s Debut Is an Introspective and Soulful Sonic Balm

With Healers Chapel, Wizard Chan invites listeners to experience a warmth of redemption and a…

Èkó Groove
“Èkó Groove” Review: Spinall Assembles Star-Studded Cast on New Album

Èkó Groove is a fun listen. Its energy, its fluid mix of genres, and its…

Nomad Shadow
TIFF 2025: Eimi Imanishi’s “Nomad Shadow” Deftly Navigates the Intricacies of Exile

Nomad Shadow excavates the personal costs of political displacement with an intimacy that cuts through…

Diya
TIFF 2025: Achille Ronaimou’s “Diya” Confronts The Brutal Arithmetic Of Justice And Retribution

Diya is a morally complex drama that interrogates the collision between ancient customs and modern…

Sanya
“Sanya” Review: Oyin Olugbile’s Debut Novel Is a Creative Retelling of Sango as a Woman Warrior

It is perhaps this deep grounding in Yoruba history and mythology that earned Sanya a…

Wonderful
“Wonderful” Review: Tay Iwar Continues To Wow With New EP

Brief in runtime but expansive in vision, Wonderful once again showcases Tay Iwar’s ability to…

Say Who Die
“Say Who Die?” Review: Paul Utomiʼs Film Crumbles Under the Weight of its Own Ambition

Style without story is a hollow exercise, and Say Who Die? ultimately exposes Nollywood’s recurring…