The Editor

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“Mombasa’s Lover Boy” Review: Caleb Awiti Delivers Another Slow Jam LP

Awiti’s Neo-Soul positively conforms to contemporary attitudes and sensibilities, but the songs in Mombasa’s Lover…

“Postcards” Review: Hamisha Daryani Ahuja’s Series Stacks the Pile of Poorly-Contrived Nollywood Productions

Rarely does one witness a gathering of filmmakers — from actors to editors to writers,…

How Lucrative is the Competitive E-sports Industry Today?

To foster the growth of e-sports worldwide, it is important for stakeholders and intending investors…

Why We Need New Names in Nollywood

Whatever the scale of the imagination, conventional wisdom used to be this: that a name…

BAL 2024: A Definitive Guide to the Basketball Africa League Season

We’ve put together a fantastic FAQ to guide you through the BAL’s League Season and…

Durban FilmMart Institute Announces Lineup for 17th Edition of Talents Durban

This edition of Talents Durban features participants from 15 African countries, showcasing the continent’s diversity…

Opinion: Why Calling Don Jazzy an Influencer is an Erasure of His Impact on Afrobeats’ Global Dominance

If there were ever a book written chronicling the globalisation of Afrobeats, Don Jazzy would…

Strained | Now showing on Netflix | Afrocritik
“Strained” Review: Okechukwu Oku’s Film is Simple Yet Sophisticated

In its concise runtime, Strained explores a plethora of issues with remarkable finesse, avoiding the…

Wole Talabi and Chukwuebuka Ibeh Longlisted for the 2024 Wilbur Smith Adventure Writing Prize

The shortlist will be revealed on May 30, 2024. By Hope Ibiale The jury for…

In the Wake of Ojo Taiye’s Sneaky Poetry, How Should Plagiarism in the Nigerian Literary Community Be Addressed?

What we will realise immediately is that the nature of the act of plagiarism itself…