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“Dead of Night” Review: Chiemeka Osuagwu’s Horror Feature Serves Little Impactful Scares

Osuagwu piles on one heavy serving of a body count in Dead of Night, sufficiently…

Afrocritik Prize for Criticism - Call for Submission
Afrocritik Announces Inaugural Prize for Criticism, Calls for Submission

Entries are open from March 23rd to April 30th, 2024.  By Sybil Fekurumoh Afrocritik, a…

“Grown” Review: Ola Jegede and Empress Allen’s Young-Adult Drama is Bereft of Introspective Moments

Despite the inventive storytelling in Grown, there are noticeable unharmonious scenes layered upon each other.…

Claire Diao - Afrocritik
In Conversation: “I Want People to Know that Africa Has Real Filmmaking Talents”, Claire Diao, Film Critic and Founder of Sudu Connexion

“I find myself believing it’s really important for me to push for films by African…

Ayòbámi Adébáyò and Caleb Azumah Nelson Shortlisted for the 2024 Dylan Thomas Prize

The winner will be announced at a ceremony in Swansea on Thursday, May 16, 2024.…

Afrocritik Weekly Music Spotlight 2024: Week 8
Afrocritik Weekly Music Spotlight 2024: Week 8

Afrocritik Weekly Music Spotlight 2024: Week 8 By Yinoluwa Olowofoyeku Greetings, cherished music aficionados! Welcome…

Emeka Nwokedi: A Classical Music Conductor of International Repute

Nwokedi’s interest in music stems from his upbringing in the Anglican Church. In his early…

How Technology is Redefining Mental Healthcare Access

Fortunately, technology is becoming a handy tool for providing urgent care for people with mental…

Cinema - Is This the Age of Nollywood at Domestic Box Office - Afrocritik
Is This the Age of Nollywood at Domestic Box Office?

Despite the success of films like A Tribe Called Judah, Battle on Buka Street and…

Tares Oburumu’s Origin of Syma Species - review - Afrocritik
The Portrayal of Place, Dream, and History in Tares Oburumu’s “Origin of Syma Species”

Oburumu’s engagement with his poetic devices is impressive, and although his poems in this collection…