Film and TV

“Strangers” Review: Does Biodun Stephen’s Mystery Drama Pass as a Good Film?

With Strangers, the journey is more important than the destination. At the very least, it’s…

“Jolly Roger” Review: What Is Walter Banger’s True Motive in This Crime Thriller?

Jolly Roger, with its six actors (Etim Effiong, Tones, Mba, Okanlawon, Donga, and Oshinaike) and…

“Here Love Lies” Review: The Appealing Aura of Tope Oshin’s Film is Stifled by a Puzzling Storyline

Even if the storyline occasionally inspires you to question your cognitive ability through no fault…

“Beyond the Veil” Series Review: Five Northern Women Navigate Life in a Warm, Slow-Paced Drama

Beneath the initial veil of drudgery with which Beyond the Veil is clothed, there is…

"Married to Work" Review: Philippe Bresson's Rom-Com Falls Short of Expectations
“Married to Work” Review: Philippe Bresson’s Rom-Com Falls Short of Expectations

“Less is more,” they advise. That sentiment is categorically false in the case of Married…

“The Plan” Review: A Wonky Storyline Hinders the Prospects of an Enjoyable Watch

Contrary to the series title, The Plan has no concrete plan in sight for the…

How Netflix and EbonyLife’s “A Sunday Affair” Makes a Feeble Case for Female Friendships

For all its material and all its effort, A Sunday Affair’s portrayal of female friendship…

“Flawsome” Review: Once Again, Nollywood Women aren’t Independent of Masculine Convention

For the women in Flawsome, and those in patriarchy-controlled societies, independence from masculine and societal…

“All Na Vibes” Review: An Ambitious Film Loses its Aspiration to Flimsy Plot

Although All Na Vibes loses focus of its motive, it’s good to acknowledge its ability…

“Dark October” Review: Is October Cursed?

Dark October is a haunting depiction of man’s true inhumanity to man. Although fictional, the movie…