Film and TV

“Brotherhood” Review: Jade Osiberu Delivers Quality Fun in Trope-Filled Action Flick

There is not a single thing about Brotherhood that’s truly original. But who cares? A…

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“Finding Hubby 2” by Femi Ogunsanwo Contains Bad Decisions, Regrets, Vengeance, and a Happily-Ever-After Ending

The movie, Finding Hubby 2 brings a lot of intriguing themes to life but does…

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Kunle Afolayan’s Legacy Endures in Netflix Fantasy — Further Consideration of “Anikulapo”

The bottom line is that Anikulapo is, by Netflix-Nigerian standards, a dutiful breed of culture-inspired…

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“Anikulapo” Review: Kunle Afolayan’s Latest Masterpiece is an Hour Too Long for the Unsatisfactory Act it Delivers

Anikulapo has potential but holds no compelling story. The movie does too little for the…

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“Aloe Vera” Review: Love Conquers All Hate in Peter Sedufia’s Fantasy awesome Drama

The story goes straight to delivering a fairy tale love story that proves love conquers…

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“Symphony” Review: In This Nollywood Film Depicting Police Brutality, Music is the Extra Spice

Symphony is a good watch, relatable and beautifully crafted. In the film, regrets take the…

The “Set Up 2” Review: Chinaza Onuzo’s Latest Release Focuses on Aesthetics and Lacks Depth and Clarity

Set Up 2 is plagued by disjointed scripting. This is now a recurring flaw, visible…

“Collision Course” Review: Bolanle Austen-Peters Makes a Social Commentary on Police Brutality. But to What End?

With Collision Course, Austen-Peters allowed something very similar to the very distasteful way violence was handled…

“The Milkmaid” Review: Desmond Ovbiagele’s Femicentric Terrorism-Themed Feature Is a Nollywood Revelation

Daring, ambitious, visually stunning and appropriately heart-wrenching, The Milkmaid is a cautious exposé on the…

Kayode Kasum’s “Dwindle” Feels Like Recycled Ideas, Yet Entertaining to Watch

In the category of crime comedies, Dwindle is neither the best nor the worst you…