Film and TV

“The Blood Covenant” Review: A Familiar but Interesting Anti-Money Ritual Film

Gambo’s film is familiar but interesting. It’s didactic but not preachy or judgmental. And as…

“Prophetess” Review: Niyi Akinmolayan Dares to Merge Religion and Farce

The movie further exposes the relationship between the gambler and the betting company, as well…

Jewel
“Jewel” Review: A Quiet Reminder of the Continuing Impacts of South Africa’s Sharpeville Massacre

For a film about the unforgettable trauma of a tragic historical event, Jewel feels less…

“Introducing the Kujus” Review: Biodun Stephen Creates a Dramatic and Incredibly Relatable Family

Between the intragroup relationships within the family, the age and seniority dynamics, and the uninvited…

“Silent Baron” Review: An Easily Forgettable Tale of Blinded Trust and Stolen Innocence 

…the movie sells more as a display of failed trust than the consequences of drug…

Rise
“Rise” Review: Akin Omotoso Directs a Family-Friendly Sports Biopic for Disney

The special focus on family definitely pays off, making the film richer than an average…

Ile Owo
“Ile Owo” Review: Dare Olaitan’s Horror Film Is Heavy on Suspense and Light on Terror

In Ile Owo, we have an undeniable horror flick that somehow doesn’t leave you feeling…

“Glamour Girls” Review: Play Network Ruins Yet Another Nollywood Classic

Glamour Girls seemed to have picked the crown of worst reviews in its apparent ruining…

Netflix’s “Trees of Peace” Review: Saved by the Will to Survive

Without any creative adjustments to the story, Brown’s movie Trees of Peace  passes as a…

“Collision” Review: Half-Hearted Political Statements, and a Struggling Plot Collide in South African Netflix Crime Thriller

It is generally well shot and has important themes, but too much about it is…