Film and TV

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“Anikulapo” Review: Kunle Afolayan’s Latest Masterpiece is an Hour Too Long for the Unsatisfactory Act it Delivers

Anikulapo has potential but holds no compelling story. The movie does too little for the…

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“Aloe Vera” Review: Love Conquers All Hate in Peter Sedufia’s Fantasy awesome Drama

The story goes straight to delivering a fairy tale love story that proves love conquers…

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“Symphony” Review: In This Nollywood Film Depicting Police Brutality, Music is the Extra Spice

Symphony is a good watch, relatable and beautifully crafted. In the film, regrets take the…

The “Set Up 2” Review: Chinaza Onuzo’s Latest Release Focuses on Aesthetics and Lacks Depth and Clarity

Set Up 2 is plagued by disjointed scripting. This is now a recurring flaw, visible…

“Collision Course” Review: Bolanle Austen-Peters Makes a Social Commentary on Police Brutality. But to What End?

With Collision Course, Austen-Peters allowed something very similar to the very distasteful way violence was handled…

“The Milkmaid” Review: Desmond Ovbiagele’s Femicentric Terrorism-Themed Feature Is a Nollywood Revelation

Daring, ambitious, visually stunning and appropriately heart-wrenching, The Milkmaid is a cautious exposé on the…

Kayode Kasum’s “Dwindle” Feels Like Recycled Ideas, Yet Entertaining to Watch

In the category of crime comedies, Dwindle is neither the best nor the worst you…

“The Throne” Review: A Banal Tale about the Hunger for Power

The problem with The Throne is that it doesn’t have much of an entertainment value.…

“Office Invasion” Review: Three Office Friends Battle Aliens in a Slow but Charming South African Sci-Fi Comedy

From its opening sequence, Office Invasion opts for the most bizarre choices, moving from ridiculous…

“Nairobby” Review: Greed and Division Rule in Jennifer Gatero’s Tense but Monotonous Post-Heist Thriller

Gatero weaves a tale of lies and deceit within a tale of crime and romance,…