Film and TV

“Kedibone” Review: A Coming-of-Age Tale of a Flawed, Young South African Woman

In Kedibone, Thomas Gumede sells both a South African coming-of-age story and a love story…

“The Perfect Arrangement” Review: Inkblot Production’s Latest Release Lacks Artistic Direction

…while the actors played their part to save this movie, bad scripting is a significant…

“Foreigner’s God” Review: A Good Story Ruined with Bad Accents and a Foreigner Nobody Needs

But if its white saviour narrative is its biggest problem, its most obvious flaw is…

Movie Review: EbonyLife finds Redemption with “Blood Sisters”

Criticisms against Nollywood have often zeroed in on the quality of its storytelling — its…

With “Moremi: The Epic Battle,” Aroba Animation is Set to Preserve Yoruba History

Mentioning their targets for “Project Moremi,” the team, in an interview, stated that the short…

“Savage Beauty” Review: A Dysfunctional Wealthy Family in a Tale of Revenge

…that the idea is not original does not mean that there is nothing new to…

“The Man for the Job” Review: More Is Less in Niyi Akinmolayan’s Tech-World Crime Thriller

The movie is at its best when it is being relatively simple, but when it…

Four Nollywood Crime Thrillers to Stream After “Blood Sisters” (And Four Coming Soon)

By Vivian Nneka Nwajiaku If you have been paying any attention to Nollywood or Netflix,…

“Blood Sisters” Review: Netflix’s First Nigerian Original Series is EbonyLife’s Dramatic Comeback

…even if most of the details of the plot will be easily forgotten, Blood Sisters…

“Silverton Siege” Review: Is this Film about the Silverton Trio? Not Really

Creative liberties had to be taken. But the screenplay could have kept closer to the…