Film and TV

charge and bail
“Charge and Bail” Review: Inkblot’s Courtroom Drama is a Legal Comedy in Every Sense

What Charge and Bail really is, is a legal comedy. And I mean that in…

“The Wildflower” Review: Biodun Stephen’s Winning Streak Continues in New Film About Gender-Based Violence

The film’s(The wildflower) mostly well-written screenplay exposes Nigeria’s rape culture, exploring the perceived normalcy of…

“Dazzling Mirage” Review: Tunde Kelani’s Old but Gold Film on sickle-cell Disease Makes Entrance on Netflix

From its first release in 2014, to its recent release on Netflix, the movie remains…

“Kedibone” Review: A Coming-of-Age Tale of a Flawed, Young South African Woman

In Kedibone, Thomas Gumede sells both a South African coming-of-age story and a love story…

“The Perfect Arrangement” Review: Inkblot Production’s Latest Release Lacks Artistic Direction

…while the actors played their part to save this movie, bad scripting is a significant…

“Foreigner’s God” Review: A Good Story Ruined with Bad Accents and a Foreigner Nobody Needs

But if its white saviour narrative is its biggest problem, its most obvious flaw is…

Movie Review: EbonyLife finds Redemption with “Blood Sisters”

Criticisms against Nollywood have often zeroed in on the quality of its storytelling — its…

With “Moremi: The Epic Battle,” Aroba Animation is Set to Preserve Yoruba History

Mentioning their targets for “Project Moremi,” the team, in an interview, stated that the short…

“Savage Beauty” Review: A Dysfunctional Wealthy Family in a Tale of Revenge

…that the idea is not original does not mean that there is nothing new to…

“The Man for the Job” Review: More Is Less in Niyi Akinmolayan’s Tech-World Crime Thriller

The movie is at its best when it is being relatively simple, but when it…

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