Film and TV

Whose Funeral Is It? A Review of “How To Ruin Christmas” Season 2: “The Funeral”

This is where “The Funeral” shines brightest: in the subtle but clear evidence of growth…

Nollywood Horror Film “Hex” Review: A Clarence Peter’s Experimental Foray Into Film Making

What matters to viewers, ultimately, is that a horror film delivers some type of heightened…

Netflix Series: A Review of South Africa’s “How To Ruin Christmas: The Wedding” First Season on Netflix

If you thought that Nollywood’s blockbuster film series “The Wedding Party” showed how bad things…

AMAA 2021 Awards: A Breakdown of the Wins and the Winners’ Losses

Afrocritik presents a breakdown of AMAA 2021 awards winner in each category and the losses…

“Fine Wine” Review: Seyi Babatope’s Romantic Drama Comes Close To Being a Classic

…as Christmas approaches with its own packages, “Fine Wine” re-emerges after its initial release in…

“Happiness Ever After” Review: In This South African Romantic Drama, Choosing Oneself Is True Love

Imperfect as it is, “Happiness Ever After” is a romantic drama that is pleasing to…

“Oga Bolaji” Review: Kayode Kasum’s Slow But Rewarding Social Commentary

Oga Bolaji’s story is simple, beautiful and somewhat different from what we are used to…

Izu Ojukwu’s “Amina” is an Underwhelming Portrayal Of The Legendary Queen Amina of Zazzau

…it flounders both as a period piece and as a story. And it fails to…

Emem Isong’s “Special Jollof” Fails As a Romantic Drama

…an unexciting and overambitious flick that does not work as the romantic drama that it…

AMAA 2021 NOMINATIONS: A GUIDE TO THE NOMINATED FEATURE FILMS FROM NOLLYWOOD

By Vivian Nneka Nwajiaku On Friday, the 26th of October, 2021, at the Ebony Life…